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Music from the Wrong Place: On the Italianicity of Quebec Disco
5 references·2 citing·28 second hop
Music from the Wrong Place: On the Italianicity of Quebec Disco (2008)Music from the Wrong Place: On the Italia…Graphs, Maps, Trees: Abstract Models for a Literary Theory (2006)Graphs, Maps, Trees: Abstract…Technologies of Public Forms: Circulation, Transfiguration, Recognition (2003)Technologies of Public Forms:…La république mondiale des lettres (1999)La république mondiale des le…Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (1996)Popular Music and Local Ident…The Production of Space (1992)The Production of Space“ZYX music”. Les dérives continentales de l’italo disco (2018)“ZYX music”. Les dérives cont…DJ Mini and Montreal’s Vulgar Dance Music (2016)DJ Mini and Montreal’s Vulgar…The Way of the World: The Bildungsroman in European Culture (1989)Reading Human Geography: The Poetics and Politics of Inquiry (1996)Maps of the imagination: the writer as cartographer (2005)Latin America Translated (Again): Roberto Bolano'sThe Savage Detectivesin the United States (2009)Cognitive Linguistic Approaches to Literary Studies: State of the Art in Cognitive Poetics (2010)Digital humanities and digital social reading (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)Stylizing the Self: The Y Generation in Rosebank, Johannesburg (2004)Cultural translation: An introduction to the problem, and Responses (2009)TRAVELING TECHNOLOGIES: Infrastructure, Ethical Regimes, and the Materiality of Politics in South Africa (2013)Systems of articulation, logics of change: Communities and scenes in popular music (1991)Club cultures: music, media and subcultural capital (1996)Club Cultures: Music, Media and Subcultural Capital (1997)Lick My Legacy: Are Women-Identified Spaces Still Needed to Nurture Women-Identified DJs? (2017)Authenticity as authentication (2002)Classification as Culture: Types and Trajectories of Music Genres (2008)I Did It My Way: Rock and the Logic of Covers (2010)Rethinking authenticity in tourism experience (1999)Cities and the Geographies of “Actually Existing Neoliberalism” (2002)The Politics and Poetics of Infrastructure (2013)The literary field between the state and the market (2003)Translation and the field of publishing (2008)The metamorphosis of modes of consecration in the literary field: Academies, literary prizes, festivals (2016)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Consolidating the music scenes perspective (2004)The post-subcultural turn: some reflections 10 years on (2011)
this work references cited by second hop

References

  • 1992The Production of Space9,639 cited
  • 1999La république mondiale des lettres292 cited
  • 2003Technologies of Public Forms: Circulation, Transfiguration, Recognition272 cited
  • 1996Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania215 cited
  • 2006Graphs, Maps, Trees: Abstract Models for a Literary Theory91 cited

Cited by

  • 2016DJ Mini and Montreal’s Vulgar Dance Music6 cited
  • 2018“ZYX music”. Les dérives continentales de l’italo disco2 cited

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