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Empathy and sinophobia: depicting Chinese migration inBiutiful(Iñárritu, 2010)
7 references·0 citing·21 second hop
Empathy and sinophobia: depicting Chinese migration inBiutiful(Iñárritu, 2010) (2015)Empathy and sinophobia: depicting Chinese…The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón (2013)The Three Amigos: The Transna…The International Handbook on Gender, Migration and Transnationalism (2013)The International Handbook on…Migration in contemporary Hispanic cinema (2012)Migration in contemporary His…Amores Perros: Exotic Violence And Neoliberal Fear1 (2006)Amores Perros: Exotic Violenc…The Chinese in Spain (2003)The Chinese in SpainStars and Masculinities In Spanish Cinema (2003)Stars and Masculinities In Sp…Spanish Film Under Franco (1988)Spanish Film Under FrancoContemporary Cinema of Latin America (2003)Crimes Against the State Crimes Against Persons: Detective Fiction in Cuba and Mexico (2004)Love as Politics:Amores Perrosand the Emotional Aesthetics of Neoliberalism (2010)Innocence Interrupted (2012)The Magical Neoliberalism of Network Films (2014)La obra de arte en la época de su reproductibilidad técnica (2017)Controlling immigration: a global perspective (1995)On the edge of the Chinese diaspora: The surge of baihuo business in an African city (2005)A review of Spanish consumers’ product-country image of China (2017)The Isolation of Chinese Migrants in Eastern Europe (东欧华人移民的隔离) (2017)Guillermo del Toro’s Monsters: Matter Out of Place (2014)Transnational Political Horror in Cronos (1993), El espinazo del diablo (2001), and El laberinto del fauno (2006) (2014)Falling for the Amphibian Man: Fantasy, Otherness, and Auteurism in del Toro’s The Shape of Water (2019)Migrating motherhood and gendering exile: Eastern European women narrate migrancy and homing (2015)Diasporic youth identities of uncertainty and hope: second-generation Albanian experiences of transnational mobility in an era of economic crisis in Greece (2016)Unequal internationalisation and the emergence of a new epistemic community: gender and migration (2020)The dis/locat/ing migrant as an agent of transposition: Borensztein’sUn cuento chinoand Segre’sIo sono Li (2014)Impossible Narratives: The Barcelona School and the European Avant-Gardes (2010)Film and Video Censorship in New Zealand, 1976-1994 (2017)Film censorship in Franco's Spain: the transforming power of dubbing (2018)The Beautiful and the Monstrous Masculine: The Male Body and Horror in El espinazo del diablo (Guillermo del Toro 2001) (2007)
this work references cited by second hop

References

  • 1988Spanish Film Under Franco50 cited
  • 2003Stars and Masculinities In Spanish Cinema41 cited
  • 2013The International Handbook on Gender, Migration and Transnationalism37 cited
  • 2013The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón35 cited
  • 2003The Chinese in Spain29 cited
  • 2006Amores Perros: Exotic Violence And Neoliberal Fear128 cited
  • 2012Migration in contemporary Hispanic cinema25 cited

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