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The Curator as Arts Administrator? Comments on Harald Szeemann and the Exhibition “When Attitudes Become Form”
16 references·3 citing·25 second hop
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References

  • 1993An Invitation to Reflexive Sociology.9,324 cited
  • 1993An Invitation of Reflexive Sociology8,374 cited
  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 2005The New Spirit of Capitalism3,037 cited
  • 1996The Rules of Art2,397 cited
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  • 1997The rules of art : genesis and structure of the literary field1,394 cited
  • 1974Zur Soziologie der symbolischen Formen559 cited
  • 2001Meditationen : zur Kritik der scholastischen Vernunft523 cited
  • 1991The Love of Art: European Art Museums and Their Public.435 cited
  • 2005Thinking About Exhibitions434 cited
  • 1966Canvases and Careers: Institutional Change in the French Painting World281 cited
  • 2006The premodern condition: medievalism and the making of theory211 cited
  • 1965Canvases and Careers: Institutional Change in the French Painting World.209 cited
  • 1988Leadership and Innovation: A Biographical Perspective on Entrepreneurs in Government174 cited
  • 1992Art After Philosophy and After: Collected Writings, 1966-1990.

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118 cited

Cited by

  • 2019Cultural Entrepreneurship Using the Example of Uli Sigg as Patron and Mediator of Contemporary Chinese Art14 cited
  • 2017Threading and Mapping Theories in the Field of Arts Administration: Thematic Discussion of Theories and Their Interdisciplinarity9 cited
  • 2021Building a “Heavy Metal World”: Cultural Entrepreneurship in the Polish People's Republic3 cited