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The Perception of Rhythm in Non-Tonal Music: Rhythmic Contours in the Music of Edgard Varèse
2 references·7 citing·32 second hop
The Perception of Rhythm in Non-Tonal Music: Rhythmic Contours in the Music of Edgard Varèse (1991)The Perception of Rhythm in Non-Tonal Mus…Relating Musical Contours: Extensions of a Theory for Contour (1987)Relating Musical Contours: Ex…African Rhythm: A Reassessment (1980)African Rhythm: A ReassessmentFuzzy Family Ties (2022)Fuzzy Family TiesNormalizing Musical Contour Theory (2016)Normalizing Musical Contour T…Contour Recursion and Auto-Segmentation (2016)Contour Recursion and Auto-Se…Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching (2015)Schoenberg's Chordal Experime…A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network (2013)A New Similarity Measurement …Serial Intervention in Nono’sIl canto sospeso (2006)Serial Intervention in Nono’s…The Practice of Perception: Multi-Functionality and Time in the Musical Experiences of a Heavy Metal Drummer (1997)The Practice of Perception: M…Outline of a Theory of Practice. (1980)The Constitution of Society. Outline of the Theory of Structuration (1984)The Predicament of Culture (1988)Interaction and Improvisation between Dancers and Drummers in Martinican Bele (1998)Hypocognition, a "Sense of the Uncanny," and the Anthropology of Ambiguity: Reflections on Robert I. Levy's Contribution to Theories of Experience in Anthropology (2005)Continuity, Causation And Cyclicity: A Cultural Neurophenomenoloǵy Of Time-Consciousness (2008)Basic atonal theory (1980)A Methodology for the Discussion of Contour: Its Application to Schoenberg's "Music" (1985)Generalized Musical Intervals and Transformations (1988)Music theory and mathematics (2002)A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition (2003)Analysis of Emergent Beat-Class Sets in Steve Reich's "Clapping Music" and the Yoruba Bell Timeline (2009)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)Optimality Theory: Constraint Interaction in Generative Grammar (2004)An Extension of the Minimally Divergent Contour Network: Considering Nonconsecutive Repeated Contour Pitches (2019)Onset and Contiguity (2021)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The study of ethnomusicology: thirty-one issues and concepts (2006)Die Analyse der Empfindungen und das Verhaltniss des Physischen zum Psychischen. (1902)The Structure of Atonal Music (1973)Set Structure as a Compositional Determinant (1961)Diatonic Interval Sets and Transformational Structures (1979)Some Implications of the Pitch Class/Order Number Isomorphism Inherent in the Twelve-Tone System: Part One (1988)Melodic Contour Typology (1976)New Directions in the Theory and Analysis of Musical Contour (1993)Fuzzy sets (1965)Composition With Pitch-Classes (1987)Transpositional Combination of Beat-Class Sets in Steve Reich's Phase-Shifting Music (1992)Judging "By the Beat": Calypso versus Soca (1996)Circles and Time: A Theory of Structural Organization of Rhythm in African Music (2000)The distance geometry of music (2008)
this work references cited by second hop

References

  • 1980African Rhythm: A Reassessment98 cited
  • 1987Relating Musical Contours: Extensions of a Theory for Contour84 cited

Cited by

  • 1997The Practice of Perception: Multi-Functionality and Time in the Musical Experiences of a Heavy Metal Drummer34 cited
  • 2015Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching16 cited
  • 2016Normalizing Musical Contour Theory6 cited
  • 2016Contour Recursion and Auto-Segmentation6 cited
  • 2006Serial Intervention in Nono’sIl canto sospeso6 cited
  • 2022Fuzzy Family Ties5 cited
  • 2013A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network4 cited

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