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How do people really listen to music today? Conventionalities and major turnovers in German audio repertoires
16 references·5 citing·35 second hop
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References

  • 2019Diffusion of Innovations 137,320 cited
  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 2023The Presentation of Self in Everyday Life17,564 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 2003Diffusion of innovations.13,723 cited
  • 2011The Filter Bubble: What the Internet Is Hiding from You4,429 cited
  • 2000Music in Everyday Life2,710 cited
  • 2009Latent Class and Latent Transition Analysis: With Applications in the Social, Behavioral, and Health Sciences2,537 cited
  • 2001Technologies, Texts and Affordances2,004 cited
  • 2003The Audible Past1,821 cited
  • 1997Doing Cultural Studies: The Story of the Sony Walkman1,684 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 2001Sounding out the city: personal stereos and the management of everyday life507 cited
  • 1953Essays on the Sociology of Knowledge. By Karl Mannheim. Edited by Paul Kecskemeti. (London: Routledge and Kegan Paul. 1952. Price 25s.)408 cited
  • 2010Qualitative Analysis and Documentary Method: In International Educational Research354 cited

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2006
Media repertoires as a result of selective media use. A conceptual approach to the analysis of patterns of exposure
341 cited

Cited by

  • 2020Integrating the theory of planned behavior and uses and gratifications to understand music streaming intentions and behavior22 cited
  • 2018Examining the Impact of Social Identification with Music on Music Streaming Behavior17 cited
  • 2020Consumers on Critique: A Survey of Classical Music Listeners’ Engagement with Professional Music Reviews8 cited
  • 2020Popular Music as Entertainment Communication: How Perceived Semantic Expression Explains Liking of Previously Unknown Music7 cited
  • 2015Vinyl. The analogue record in the digital age6 cited