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Brown Scriptings and Rescriptings: A Critical Performance Ethnography of Latina Drag Queens
0 references·15 citing·42 second hop
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  • 2013Cisgender Privilege, Intersectionality, and the Criminalization of CeCe McDonald: Why Intercultural Communication Needs Transgender Studies129 cited
  • 2013Pushing Boundaries: Queer Intercultural Communication85 cited
  • 2014Queer Intercultural Relationality: An Autoethnography of Asian–Black (Dis)Connections in White Gay America61 cited
  • 2015Disidentifications Revisited: Queer(y)ing Intercultural Communication Theory57 cited
  • 2013Speaking Like a Queen in RuPaul’s Drag Race: Towards a Speech Code of American Drag Queens29 cited
  • 2018Queer of color worldmaking: in the rhetorical archive and the embodied repertoire24 cited
  • 2018Deaf Queer world-making: A thick intersectional analysis of the mediated cultural body20 cited
  • 2013Affect, Performance, and Ethnographic Methods inQueer Bathroom Monologues14 cited
  • 2017Examining Embodied Struggles in Cultural Reentry Through Intersectional Reflexivity14 cited
  • 2020The Troubled Past, Present Disjuncture, and Possible Futures: Intercultural Performance Communication13 cited
  • 2019Putting crip in the script: a critical communication pedagogical study of communication theory textbooks13 cited
  • 2013Performative Tensions in Female Drag Performances10 cited
  • 2019Different Sameness: Queer Autoethnography and Coalition Politics10 cited

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  • 2020Identity Passing in Intercultural Performance of K-pop Cover Dance10 cited
  • 2021Audience Diversity and Well-being at Uk Drag Events8 cited