Absorption and Theatricality. Painting and Beholder in the Age of Diderot.

Georges May

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Visual Culture and Art Theory Historical Art and Culture Studies Art, Aesthetics, and Perception

Abstract

With this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood.A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book.--John Barrell, London Review of Books

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2010Hegel on the Modern Arts 2006COLLAPSE OF DISTANCE: EPISTEMIC STRATEGIES OF SCIENCE AND TECHNOSCIENCE 2008Theory of Mind and Fictions of Embodied Transparency 1997The Scottish Enlightenment 1997The institution of criticism in the eighteenth century 2012Elegy, Art and the Viewer 1997Ancients and Moderns 2000Sentimental and Anti-Sentimental in "Le nozze di Figaro"

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