SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
AARON AVSHALOMOV AND NEW CHINESE MUSIC IN SHANGHAI, 1931–1947
6 references·1 citing·26 second hop
AARON AVSHALOMOV AND NEW CHINESE MUSIC IN SHANGHAI, 1931–1947 (2012)AARON AVSHALOMOV AND NEW CHINESE MUSIC IN…Stuart Hall: Critical Dialogues in Cultural Studies (2006)Stuart Hall: Critical Dialogu…Rhapsody in red: how Western classical music became Chinese (2004)Rhapsody in red: how Western …Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age (2001)Yellow Music: Media Culture a…The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation (2001)The Sonic Dimensions of Natio…Debating Cultural Hybridity: Multi-Cultural Identities and the Politics of Anti-Racism (2000)Debating Cultural Hybridity: …Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949 (2000)Dangerous Tunes: The Politics…Music, Encounter, Togetherness (2024)Music, Encounter, TogethernessMarxism and the philosophy of language (1973)The Postmodern Condition: A Report on Knowledge (1984)Feminist practice and poststructuralist theory (1988)It's All In the Family: Intersections of Gender, Race, and Nation (1998)Rethinking Critical Theory and Qualitative Research (2011)Intersectionality's Definitional Dilemmas (2015)The Interpretation of Cultures: Selected Essays. (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Nationalism and Latin American Music: Selected Case Studies and Theoretical Considerations (2003)Music education in China: In search of social harmony and Chinese nationalism (2011)The Interpretation of Cultures (2017)Singing a Chinese Nation: Heritage Preservation, the Yuanshengtai Movement, and New Trends in Chinese Folk Music in the Twenty-First Century (2021)The Principles of Psychology (1891)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)The way we think: conceptual blending and the mind's hidden complexities (2002)Soundings on a Relational Epistemology: Encountering Indigenous Knowledge through Interwoven Experience (2023)East Meets West in the Concert Hall: Asians and Classical Music in the Century of Imperialism, Post-Colonialism, and Multiculturalism (2007)Music in the Age of Mechanical Reproduction: Drama, Gramophone, and the Beginnings of Tamil Cinema (2007)Why Chinese people play Western classical music: Transcultural roots of music philosophy (2011)Vocal performance in the seventeenth century (2012)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Grundelemente einer Theorie sozialer Praktiken / Basic Elements of a Theory of Social Practices (2003)Education policy as an act of white supremacy: whiteness, critical race theory and education reform (2005)Flowers on the Battlefield are More Fragrant (2007)Performing “Chineseness” on the Western Concert Stage: The Case of Lang Lang (2008)Revolutionary Echoes: Radios and Loudspeakers in the Mao Era (2020)
this work references cited by second hop

References

  • 2006Stuart Hall: Critical Dialogues in Cultural Studies3,395 cited
  • 2000Debating Cultural Hybridity: Multi-Cultural Identities and the Politics of Anti-Racism417 cited
  • 2001Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age224 cited
  • 2004Rhapsody in red: how Western classical music became Chinese137 cited
  • 2001The Sonic Dimensions of Nationalism in Modern China: Musical Representation and Transformation54 cited
  • 2000Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 194926 cited

Cited by

  • 2024Music, Encounter, Togetherness17 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work