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The Jamaican Stage 1655-1900: Profile of a Colonial Theatre.
0 references·3 citing·13 second hop
The Jamaican Stage 1655-1900: Profile of a Colonial Theatre. (1994)The Jamaican Stage 1655-1900: Profile of …Toussaint, Gabriel, and Three Finger’d Jack: “Courageous Chiefs” and the “Sacred Standard of Liberty” on the Atlantic Stage (2015)Toussaint, Gabriel, and Three…Dissimilation and Federation: Irish and Caribbean Modernisms in Derek Walcott'sThe Sea at Dauphin (2010)Dissimilation and Federation:…Creolizing contradance in the Caribbean (2010)Creolizing contradance in the…The Making of the English Working Class. (1966)A colony of citizens: revolution and slave emancipation in the French Caribbean, 1787-1804 (2004)Reflections on the Revolution in France (2018)Caribbean Picturesque from William Beckford to Contemporary Tourism (2020)The Politics of Modernism Against the New Conformists (1989)At Home in the World: Cosmopolitanism Now (1999)A Transnational Poetics (2006)Slave songs of the United States (1867)Participatory Discrepancies and the Power of Music (1987)The Birth of African-American Culture: An Anthropological Perspective. (1993)Caribbean and Atlantic diaspora dance: igniting citizenship (2012)The Expediency of Blackness: Racial Logics and Danzón in the Port of Veracruz, Mexico (2016)Creolization as balancing act in the transoceanic quadrille: Choreogenesis, incorporation, memory, market (2020)
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  • 2015Toussaint, Gabriel, and Three Finger’d Jack: “Courageous Chiefs” and the “Sacred Standard of Liberty” on the Atlantic Stage34 cited
  • 2010Creolizing contradance in the Caribbean27 cited
  • 2010Dissimilation and Federation: Irish and Caribbean Modernisms in Derek Walcott'sThe Sea at Dauphin13 cited

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