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Casting the light on cinema – how luminance and contrast patterns create meaning
11 references·1 citing·25 second hop
Casting the light on cinema – how luminance and contrast patterns create meaning (2012)Casting the light on cinema – how luminan…Motion Picture and Video Lighting (2023)Motion Picture and Video Ligh…Introduction to film studies (2021)Introduction to film studiesmotion picture and video lighting (2018)motion picture and video ligh…Horror Film Aesthetics: Creating the Visual Language of Fear (2010)Horror Film Aesthetics: Creat…Crowds, Power, and Transformation in Cinema (2006)Crowds, Power, and Transforma…Moving image theory: ecological considerations (2005)Moving image theory: ecologic…Lars Von Trier (2002)Lars Von TrierDevouring whirlwind: terror and transcendence in the cinema of cruelty (1989)Devouring whirlwind: terror a…Film Lighting: Talks with Hollywood's Cinematographers and Gaffers (1986)Film Lighting: Talks with Hol…Film Art: An Introduction (1979)Film Art: An IntroductionHow to Read a Film (1977)How to Read a Film‘What Should I Say?’ Tentative Criteria to Prioritize Information in the Audio Description of Film Characters (2016)‘What Should I Say?’ Tentativ…Understanding Media: The Extensions of Man (1964)Relevance: Communication and cognition . 2nd edn. By. Dan Sperber and Deirdre Wilson. Oxford & Cambridge, MA: Blackwell, 1995. Pp. xiii, 326. (1997)The motor theory of speech perception reviewed (2006)Wild Bearded Capuchin Monkeys (Sapajus libidinosus) Strategically Place Nuts in a Stable Position during Nut-Cracking (2013)Narrative theory and the dynamics of popular movies (2016)An Introduction to the Principles of Morals and Legislation (2017)The identification of target and source in pictorial metaphors (2002)Flow and Media Enjoyment (2004)Film tourism – Evolution, progress and prospects (2012)Role of temporal overlap of visual and auditory material in forming dual media associations. (1984)Audiovisual Translation: Language Transfer on Screen (2009)DigitalBeing – using the environment as an expressive medium for dance (2007)LIGHTS, CAMERA, EMOTION! AN EXAMINATION ON FILM LIGHTING AND ITS IMPACT ON AUDIENCES’ EMOTIONAL RESPONSE (2015)Content Analysis of Lighting and Color in the Embodiment of Fear Concept in Horror Movies: A Semiotic Approach (2020)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Role of Symbolic Resources in Human Lives (2001)Framing Regent Park: the National Film Board of Canada and the construction of ‘outcast spaces’ in the inner city, 1953 and 1994 (2005)Crowd scenes: movies and mass politics (2008)OPEN-SOURCING HORROR (2011)From book to stage to screen: semiotic transformations of Gothic horror genre conventions (2016)Developing Multimodal Literacy Through Teaching the Critical Viewing of Films in Singapore (2018)Screams on Screens: Paradigms of Horror (2010)Reconsidering The Idiots: Dogme95, Lars von Trier, and the Cinema of Subversion? (2004)Von Trier’s Cinematic Games (2008)Against the Post-Apocalyptic: Narrative Closure in Colson Whitehead’s Zone One (2014)
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References

  • 1979Film Art: An Introduction892 cited
  • 1977How to Read a Film220 cited
  • 2005Moving image theory: ecological considerations147 cited
  • 2021Introduction to film studies85 cited
  • 2010Horror Film Aesthetics: Creating the Visual Language of Fear48 cited
  • 2018motion picture and video lighting35 cited
  • 2006Crowds, Power, and Transformation in Cinema34 cited
  • 2002Lars Von Trier34 cited
  • 2023Motion Picture and Video Lighting24 cited
  • 1989Devouring whirlwind: terror and transcendence in the cinema of cruelty21 cited
  • 1986Film Lighting: Talks with Hollywood's Cinematographers and Gaffers18 cited

Cited by

  • 2016‘What Should I Say?’ Tentative Criteria to Prioritize Information in the Audio Description of Film Characters20 cited

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