Parentheticals and point of view in free indirect style

Abstract

This article explores the functions of parentheticals in Free Indirect Style (FIS), and in particular their role in enabling the author to represent thoughts from a variety of perspectives — including his own. I argue that while there is a sense in which a FIS text can achieve relevance by creating a sense of mutuality that is unmediated by the presence of the author, there are also features which allow the author to signal his own attitudes towards the characters whose thoughts he is representing. Indeed, as Dillon and Kirchhoff (1976) and Fludernik (1993) have shown, an author is able to communicate a sense of ironic distance even if he does not necessarily explicitly comment on his characters. Using examples from Katherine Mansfield, Malcolm Lowry and Virginia Woolf, I show that parentheticals play a role both in establishing a sense of affective mutuality between reader and character and in establishing a sense of irony by placing represented thoughts in a ludicrous light.

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