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Light and anoxia fading of Prussian blue dyed textiles
5 references·5 citing·40 second hop
Light and anoxia fading of Prussian blue dyed textiles (2014)Light and anoxia fading of Prussian blue …Why does Prussian blue fade? Understanding the role(s) of the substrate (2013)Why does Prussian blue fade? …Redox reactions in Prussian blue containing paint layers as a result of light exposure (2013)Redox reactions in Prussian b…“Live” Prussian blue fading by time-resolved X-ray absorption spectroscopy (2013)“Live” Prussian blue fading b…Room-Temperature Study of Iron Gall Ink Impregnated Paper Degradation under Various Oxygen and Humidity Conditions: Time-Dependent Monitoring by Viscosity and X-ray Absorption Near-Edge Spectrometry Measurements (2011)Room-Temperature Study of Iro…The Light-Fastness of the Natural Dyes (1966)The Light-Fastness of the Nat…Investigation of 19th and early 20th century Prussian blue production methods and their influence on the pigment composition and properties (2024)Investigation of 19th and ear…The chemistry of making color in art (2021)The chemistry of making color…Photodegradation of iron gall ink affected by oxygen, humidity and visible radiation (2021)Photodegradation of iron gall…A combination of analytical methods to evaluate the effect of humidity aging on the painting materials of icon models (2019)A combination of analytical m…X-ray Photochemistry of Prussian Blue Cellulosic Materials: Evidence for a Substrate-Mediated Redox Process (2015)X-ray Photochemistry of Pruss…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Synthesis and fading of eighteenth-century Prussian blue pigments: a combined study by spectroscopic and diffractive techniques using laboratory and synchrotron radiation sources (2013)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art (2018)Comprehensive characterisation of cellulose- and lignocellulose-degradation products in aged papers: Capillary zone electrophoresis of low-molar mass organic acids, carbohydrates, and aromatic lignin derivatives (2006)Application of spectroscopic techniques for the study of paper documents: A survey (2009)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Colour degradation of artworks: an ab initio approach to X-ray, electronic and optical spectroscopy analyses of vermilion photodarkening (2014)Radiation damages during synchrotron X-ray micro-analyses of Prussian blue and zinc white historic paintings: detection, mitigation and integration (2015)Spectroscopic Investigation of the Coloration and Fabrication Conditions of Medieval Blue Glasses (2015)THE BENEFITS AND RISKS OF ANOXIC DISPLAY FOR COLORANTS (2008)Fading of modern Prussian blue pigments in linseed oil medium (2011)Deciphering the Chemistry of Cultural Heritage: Targeting Material Properties by Coupling Spectral Imaging with Image Analysis (2021)Iron Gall Inks: On Manufacture, Characterisation, Degradation and Stabilisation (2006)Systematic study of terahertz time-domain spectra of historically informed black inks (2013)Study of Iron Gall Inks, Ingredients and Paper Composition Using Non-Destructive Techniques (2019)Oxidative degradation of paper – A minireview (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Paper aging and degradation: Recent findings and research methods (2011)Relationship between the Synthesis of Prussian Blue Pigments, Their Color, Physical Properties, and Their Behavior in Paint Layers (2013)X-ray and ion irradiation effects on azurite, malachite and alizarin pictorial models (2017)Practical advances towards safer analysis of heritage samples and objects (2023)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Infrared Spectroscopy in Conservation Science (2000)Analytical Techniques in Materials Conservation (2007)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Different Cleaning Techniques for Removal of Iron stain from Archaeological Bone Artifacts: A Review (2021)Monitoring UV-accelerated alteration processes of paintings by means of hyperspectral micro-FTIR imaging and chemometrics (2021)Ancient Egyptian materials and technology (2000)The Lycurgus Cup — A Roman nanotechnology (2007)CERAMIC PRODUCTION, PROVENANCE AND USE—A REVIEW* (2008)A Combined Non-Destructive and Micro-Destructive Approach to Solving the Forensic Problems in the Field of Cultural Heritage: Two Case Studies (2021)Use of Half-Normal Plots in Interpreting Factorial Two-Level Experiments (1959)Historical iron gall ink containing documents — Properties affecting their condition (2005)The Colourful Past - 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this work references cited by second hop

References

  • 1966The Light-Fastness of the Natural Dyes135 cited
  • 2013Redox reactions in Prussian blue containing paint layers as a result of light exposure109 cited
  • 2013Why does Prussian blue fade? Understanding the role(s) of the substrate67 cited
  • 2011Room-Temperature Study of Iron Gall Ink Impregnated Paper Degradation under Various Oxygen and Humidity Conditions: Time-Dependent Monitoring by Viscosity and X-ray Absorption Near-Edge Spectrometry Measurements64 cited
  • 2013“Live” Prussian blue fading by time-resolved X-ray absorption spectroscopy36 cited

Cited by

  • 2015X-ray Photochemistry of Prussian Blue Cellulosic Materials: Evidence for a Substrate-Mediated Redox Process29 cited
  • 2021The chemistry of making color in art27 cited
  • 2019A combination of analytical methods to evaluate the effect of humidity aging on the painting materials of icon models22 cited
  • 2021Photodegradation of iron gall ink affected by oxygen, humidity and visible radiation14 cited
  • 2024Investigation of 19th and early 20th century Prussian blue production methods and their influence on the pigment composition and properties10 cited

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