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The Cambridge Companion to Medieval Romance
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  • 2012Conduct Shameful and Unshameful in The Franklin’s Tale13 cited
  • 2006'O brotel wele of mannes joie unstable!': Gender and Philosophy in Troilus and Criseyde12 cited
  • 2007The Vulnerable Hero: Havelok and the Revision of Romance11 cited
  • 2007The Gender of Song in Chaucer9 cited
  • 2004Sir Orfeo in the Otherworld: Courting Chaos?9 cited
  • 2006Reconstructing the Audiences of the Middle English Versions of Ipomedon8 cited
  • 2004Absent Fathers, Unexpected Sons: Paternity in Malory's Morte Darthur7 cited
  • 2010Fantasy, Escape, Recovery, and Consolation in Sir Orfeo: The Medieval Foundations of Tolkienian Fantasy6 cited
  • 2010Genre as Context in the Alliterative Morte Arthure5 cited
  • 2010(Heroic) Fantasy and the Middle Ages – Strange Bedfellows or an Ideal Cast?5 cited
  • 2008Defiant Devotion in MS Laud Misc. 108: The Narrator of Havelok the Dane and Affective Piety5 cited
  • 2004Aural and Written Reception in Sir John Paston, Malory, and Caxton4 cited
  • 2008Women's Secrets: Childbirth, Pollution, and Purification in Northern Octavian4 cited
  • 2011The Arctic Arthur3 cited
  • 2004

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Crossing Generic Boundaries: The Clever Courtly Lady
3 cited
  • 2005The Other Story: Female Friendship in the Middle English Ywain and Gawain3 cited