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“Hel's perfect character”; or The Blackamoor Maid in Early modern English drama: The postcolonial cultural history of a dramatic type
16 references·3 citing·32 second hop
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this work references cited by second hop

References

  • 1988The Politics and Poetics of Transgression3,290 cited
  • 1987Speech Genres and Other Late Essays3,185 cited
  • 1989Marxism and the Interpretation of Culture2,718 cited
  • 1993Culture and imperialism2,275 cited
  • 1972History and Class Consciousness: Studies in Marxist Dialectics2,168 cited
  • 1989Selected Subaltern Studies.2,046 cited
  • 1999The Riverside Shakespeare1,643 cited
  • 1996Colonial desire: Hybridity in theory, culture and race1,558 cited
  • 1985Staying Power. The History of Black People in Britain1,249 cited
  • 2018The Colonizer and the Colonized:947 cited
  • 1990Dialogism938 cited
  • 1998The Post-Colonial Question: Common Skies, Divided Horizons881 cited
  • 2017The Norton Anthology of English Literature846 cited
  • 1985Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree outside Delhi, May 1817765 cited
  • 1981Servants in Husbandry in Early Modern England545 cited
  • 1977Family Life and Illicit Love in Earlier Generations494 cited

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Cited by

  • 2005Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity14 cited
  • 2015“Making the Beast with two Backs” – Interracial Relationships in Early Modern England6 cited
  • 2005Susanna Rowson and the dramatized Muslim2 cited