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Stage fright: modernism, anti-theatricality, and drama
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Cited by

  • 2017The Cambridge History of Modernism160 cited
  • 2004Drama/Theatre/Performance158 cited
  • 2011Wagner-Dampf: Steam in Der Ring des Nibelungen and Operatic Production44 cited
  • 2011Writing for the Body42 cited
  • 2017Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 188028 cited
  • 2013Mapping Irish Theatre: Theories of Space and Place25 cited
  • 2013Waiting for Godot in New Orleans : Modernist Autonomy and Transnational Performance in Paul Chan’s Beckett23 cited
  • 2011Conducting Movement: Xavier Le Roy and the Amplification of Le Sacre du Printemps22 cited
  • 2017Epilogue: Modernism after Postmodernism22 cited
  • 2007Uncloseting Drama: Gertrude Stein and the Wooster Group21 cited
  • 2017Writing and the Modern Stage: Theater beyond Drama20 cited
  • 2017Introduction: A History of “Modernism”20 cited
  • 2017The New Spaces of Modernist Painting19 cited
  • 2021Opera as Hypermedium18 cited
  • 2023Digital Performance and Its Discontents (or, Problems of Presence in Pandemic Performance)18 cited

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  • 2012‘Too much music’: the media of opera16 cited