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Several approaches to the investigation of paintings with the use of portable X-ray fluorescence analysis
6 references·4 citing·33 second hop
Several approaches to the investigation of paintings with the use of portable X-ray fluorescence analysis (2015)Several approaches to the investigation o…Multilayered samples reconstructed by measuring Kα/Kβ or Lα/Lβ X-ray intensity ratios by EDXRF (2013)Multilayered samples reconstr…A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)A mobile instrument for in si…The technological versus methodological revolution of portable XRF in archaeology (2012)The technological versus meth…Non-destructive XRF analysis of paintings (2004)Non-destructive XRF analysis …Confocal μ-XRF depth analysis of paint layers (2004)Confocal μ-XRF depth analysis…Paintings? a challenge for XRF and PIXE analysis (2000)Paintings? a challenge for XR…Combining XRF, Multispectral Imaging and SEM/EDS to Characterize a Contemporary Painting (2023)Combining XRF, Multispectral …Overview of methods for determining the depth distribution of elements in X-ray fluorescence analysis (2022)Overview of methods for deter…The use of various X-ray fluorescence analysis modalities for the investigation of historical paintings: The case study on the Late Gothic panel painting (2017)The use of various X-ray fluo…In situ study of Limoges painted enamels by portable X-ray fluorescence supported by laser ablation inductively coupled plasma mass spectrometry analysis of micro-samples (2017)In situ study of Limoges pain…Pre-Columbian Surface Metallurgy (1984)A multi-technique approach by XRD, XRF, FT-IR to characterize the diagenesis of dinosaur bones from Spain (2011)The structure of two‐layered objects reconstructed using EDXRF‐analysis and internal X‐ray ratios (2015)Use of Monte Carlo simulations for cultural heritage X-ray fluorescence analysis (2015)Applications of energy dispersive X-ray fluorescence technique in metallic cultural heritage studies (2022)Social Theory and Archaeology. (1988)Les techniques du corps (2002)Reading the Past (2003)Validity of “off-the-shelf” handheld portable XRF for sourcing Near Eastern obsidian chip debris (2012)Mobile Spectroscopic Instrumentation in Archaeometry Research (2016)Using Nondestructive Portable X-ray Fluorescence Spectrometers on Stone, Ceramics, Metals, and Other Materials in Museums: Advantages and Limitations (2016)Visualization of a Lost Painting by Vincent van Gogh Using Synchrotron Radiation Based X-ray Fluorescence Elemental Mapping (2008)Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus (2015)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum (2013)A History of Platinum and Its Allied Metals (1984)On‐site analysis of Limoges enamels from sixteenth to nineteenth centuries: an attempt to differentiate between genuine artefacts and copies (2010)Critical assessment of the elemental composition of Corning archeological reference glasses by LA-ICP-MS (2011)The composition and technology of polychrome enamels on Chinese ruby‐backed plates identified through nondestructive micro‐X‐ray fluorescence (2020)Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)A new 3D micro X-ray fluorescence analysis set-up – First archaeometric applications (2003)Three-dimensional micro-XRF investigations of paint layers with a tabletop setup (2004)Non-destructive analysis and testing of museum objects: An overview of 5 years of research (2005)Complementary use of the Raman and XRF techniques for non-destructive analysis of historical paint layers (2008)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century (2006)Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art* (2007)Handheld XRF for Art and Archaeology (2013)A deep view in cultural heritage—confocal micro X-ray spectroscopy for depth resolved elemental analysis (2011)Scientific investigation of the paint and adhesive materials used in the Western Han dynasty polychromy terracotta army, Qingzhou, China (2012)High-Definition X-ray Fluorescence Elemental Mapping of Paintings (2012)Non-Invasive and Non-Destructive Examination of Artistic Pigments, Paints, and Paintings by Means of X-Ray Methods (2016)
this work references cited by second hop

References

  • 2013A mobile instrument for in situ scanning macro-XRF investigation of historical paintings264 cited
  • 2012The technological versus methodological revolution of portable XRF in archaeology175 cited
  • 2000Paintings? a challenge for XRF and PIXE analysis92 cited
  • 2004Confocal μ-XRF depth analysis of paint layers87 cited
  • 2004Non-destructive XRF analysis of paintings66 cited
  • 2013Multilayered samples reconstructed by measuring Kα/Kβ or Lα/Lβ X-ray intensity ratios by EDXRF60 cited

Cited by

  • 2017The use of various X-ray fluorescence analysis modalities for the investigation of historical paintings: The case study on the Late Gothic panel painting13 cited
  • 2017In situ study of Limoges painted enamels by portable X-ray fluorescence supported by laser ablation inductively coupled plasma mass spectrometry analysis of micro-samples12 cited
  • 2023Combining XRF, Multispectral Imaging and SEM/EDS to Characterize a Contemporary Painting12 cited
  • 2022Overview of methods for determining the depth distribution of elements in X-ray fluorescence analysis11 cited

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