:Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490- 1530

Giles Knox

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Renaissance and Early Modern Studies Historical Art and Architecture Studies Historical Art and Culture Studies

Abstract

1. The Venetian setting and demand for modern sculpture 2. Tullio Lombardo's development as a sculptor 3. The Ca' d'Oro relief and the beginnings of ideal portrait sculpture 4. Ideal portrait sculpture reconsidered: Bacchus and Ariadne and the dialogue with painting 5. Developments in ideal portrait sculpture: the double-portrait relief in other hands 6. Distillations of ideal portrait sculpture: single figure reliefs, religious adaptations, and miniature bronze busts 7. The Venetian bust: ideal portraits, surrogate antiques, and the emerging modern likeness.

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