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‘‘ HipHopKhasene : a Marriage between Hip hop and Klezmer’’
11 references·0 citing·26 second hop
‘‘ HipHopKhasene : a Marriage between Hip hop and Klezmer’’ (2011)‘‘ HipHopKhasene : a Marriage between Hip…11. Why We Do This Anyway: Klezmer as Jewish Youth Subculture (2019)11. Why We Do This Anyway: Kl…The Multiple Voices of American Klezmer (2007)The Multiple Voices of Americ…(De)constructing Yiddishland: Solomon and SoCalled'sHipHopKhasene (2007)(De)constructing Yiddishland:…Adventures in Yiddishland: Postvernacular Language and Culture (2005)Adventures in Yiddishland: Po…‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey (2005)‘Living underground is tough’…Spoken here: travels among threatened languages (2004)Spoken here: travels among th…Why We Do This AnywayKlezmer as Jewish Youth Subculture (2002)Why We Do This AnywayKlezmer …Klezmer-LoshnThe Language of Jewish Folk Musicians (2002)Klezmer-LoshnThe Language of …Fiddler on the move: exploring the klezmer world (2001)Fiddler on the move: explorin…Haredi, haymish and frim: Yiddish vitality and language choice in a transnational, multilingual community (1999)Haredi, haymish and frim: Yid…Klezmer Music: An American Ethnic Genre (1984)Klezmer Music: An American Et…Music Revivals: Towards a General Theory (1999)American KlezmerIts Roots and Offshoots (2002)An Interrogation of Language: “Radical Jewish Culture” on New York City's Downtown Music Scene (2010)Club cultures: music, media and subcultural capital (1996)Modernity at Large: Cultural Dimensions of Globalization. (1998)Racial Authenticity in Rap Music and Hip Hop (2008)Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)Gangs and gangsta rap in Chicago: A microscenes perspective (2013)The Discovery of Grounded Theory (2017)Record Industry and Egyptian Traditional Music: 1904-1932 (1976)Making Use of History: The Revival of the Bagpipe in Sweden in the 1980s (1989)Migrancy and Syncretism: A Turkish Musician in Stockholm (1994)WILL INDIGENOUS LANGUAGES SURVIVE? (2005)Pulmonic ingressive phonation: Diachronic and synchronic characteristics, distribution and function in animal and human sound production and in human speech (2008)Towards a positive cross-cultural lexicography: Enriching our emotional landscape through 216 ‘untranslatable’ words pertaining to well-being (2016)Census-Based estimation of the hasidic Jewish population (2006)Reclaiming Sacred Sparks: Linguistic Syncretism and Gendered Language Shift among Hasidic Jews in New York (2007)Reading Jewish signs: The socialization of multilingual literacies among Hasidic women and girls in Brooklyn, New York (2008)The Art of Being Jewish in Modern Times (2008)Gypsy/Klezmer Dialectics: Jewish and Romani Traces and Erasures in Contemporary European World Music (2015)The Cambridge Companion to Jewish Music (2015)Migration and Remembrance: Sounds and Spaces of Klezmer ‘Revivals’ (2010)SECULARISM AND LAICISM IN TURKEY (2008)Stop, Revive, Survive: Lessons from the Hebrew Revival Applicable to the Reclamation, Maintenance and Empowerment of Aboriginal Languages and Cultures (2011)Autochthonous heritage languages and social media: writing and bilingual practices in Low German on Facebook (2016)Postvernacular Yiddish: Language As a Performance Art (2004)
this work references cited by second hop

References

  • 2005Adventures in Yiddishland: Postvernacular Language and Culture178 cited
  • 2004Spoken here: travels among threatened languages129 cited
  • 2001Fiddler on the move: exploring the klezmer world125 cited
  • 2005‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey89 cited
  • 1999Haredi, haymish and frim: Yiddish vitality and language choice in a transnational, multilingual community45 cited
  • 2007The Multiple Voices of American Klezmer25 cited
  • 2002Why We Do This AnywayKlezmer as Jewish Youth Subculture23 cited
  • 2002Klezmer-LoshnThe Language of Jewish Folk Musicians18 cited
  • 1984Klezmer Music: An American Ethnic Genre15 cited
  • 201911. Why We Do This Anyway: Klezmer as Jewish Youth Subculture14 cited
  • 2007(De)constructing Yiddishland: Solomon and SoCalled'sHipHopKhasene7 cited

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