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Seeing voices: Oral pragmatics and the silent cinema
16 references·1 citing·30 second hop
Seeing voices: Oral pragmatics and the silent cinema (2009)Seeing voices: Oral pragmatics and the si…Rethinking Third Cinema (2004)Rethinking Third CinemaThe voice in cinema (1999)The voice in cinemaIdeology of the Hindi film: a historical construction (1999)Ideology of the Hindi film: a…Consuming Modernity: Public Culture in a South Asian World (1995)Consuming Modernity: Public C…Sound theory/sound practice (1993)Sound theory/sound practiceBabel and Babylon: Spectatorship in American Silent Film. (1992)Babel and Babylon: Spectators…Babel and Babylon (1991)Babel and BabylonOrality and Literacy (1982)Orality and LiteracyFilm Theory and Criticism (1979)Film Theory and CriticismTheory of the Film: Character and Growth of a New Art (1970)Theory of the Film: Character…The Presence of the Word. Some Prolegomena for Cultural and Religious History (1970)The Presence of the Word. Som…Archaeology of Knowledge (1970)Archaeology of KnowledgePreface to Plato (1963)Preface to PlatoPreface to Plato (1962)Preface to PlatoThe Rise of the Novel: Studies in Defoe, Richardson, and Fielding (1960)The Rise of the Novel: Studie…The Rise of the Novel: Studies in Defoe, Richardson, and Fielding (1960)The Rise of the Novel: Studie…Bailes boleros y flamencos en los primeros cortometrajes mudos. Narrativas y arquetipos sobre «lo español» en los albores del siglo XX (2016)Bailes boleros y flamencos en…Outline of a Theory of Practice. (1980)Women, Fire, and Dangerous Things (1987)Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Metaphors We Live By (2003)Culture, Globalization, Mediation (2004)Local consumption cultures in a globalizing world (2004)Race and the Education of Desire (1995)A Set of Principles for Conducting and Evaluating Interpretive Field Studies in Information Systems1 (1999)The Handbook of Journalism Studies (2009)Bending Over Backwards (2002)Self and social functions: Individual autobiographical memory and collective narrative (2003)Modernism and the Ordinary (2009)Technology and Religious Change: Islam and the Impact of Print (1993)Written Texts and the Rise of Literate Culture in Ancient Greece (2003)Why Is There So Much More Research on Vision Than on Any Other Sensory Modality? (2019)Rethinking Market Research: Putting People Back In (1997)Signals in Social Supernets (2007)The Mediatization of Society (2008)The Global Politics of Contemporary Travel Writing (2006)The Cambridge Introduction to Travel Writing (2013)Origins of the modern mind: three stages in the evolution of culture and cognition (1992)Cognition and artifacts: A contribution to the study of though in relation to instrumented activity (1995)Voices of Modernity (2003)“Praise the Lord”: Popular cinema and pentecostalite style in Ghana's new public sphere (2004)The New Film History as Media Archaeology (2005)Publics and Politics (2010)Spectacles of Truth in Classical Greek Philosophy (2004)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sonic geographies (2013)
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References

  • 1970Archaeology of Knowledge11,463 cited
  • 1982Orality and Literacy7,002 cited
  • 1960The Rise of the Novel: Studies in Defoe, Richardson, and Fielding1,419 cited
  • 1963Preface to Plato1,079 cited
  • 1960The Rise of the Novel: Studies in Defoe, Richardson, and Fielding988 cited
  • 1962Preface to Plato887 cited
  • 1991Babel and Babylon812 cited
  • 1995Consuming Modernity: Public Culture in a South Asian World653 cited
  • 1993Sound theory/sound practice570 cited
  • 1970The Presence of the Word. Some Prolegomena for Cultural and Religious History568 cited
  • 1999Ideology of the Hindi film: a historical construction516 cited
  • 1992Babel and Babylon: Spectatorship in American Silent Film.408 cited
  • 1970Theory of the Film: Character and Growth of a New Art397 cited
  • 2004Rethinking Third Cinema264 cited
  • 1979Film Theory and Criticism252 cited
  • 1999The voice in cinema246 cited

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  • 2016

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Bailes boleros y flamencos en los primeros cortometrajes mudos. Narrativas y arquetipos sobre «lo español» en los albores del siglo XX
7 cited