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Underground Harmonies: Music and Politics in the Subways of New York.
0 references·16 citing·44 second hop
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  • 2016The ethical potential of sound in public space: Migrant pan flute music and its potential to create moments of conviviality in a ‘failed’ public square47 cited
  • 2000The One-Man Band by the Quick Lunch Stand: Modeling Audience Response to Street Performance33 cited
  • 2021Atmospheres of street performance in Taipei: Affect and emotion as dynamic, simultaneous, more-than-representational experiences25 cited
  • 2010“Playing for Change”: Peace, Universality, and the Street Performer22 cited
  • 2019Street Performance, Public Space, and the Boundaries of Urban Desirability: The Case of Living Statues in Barcelona19 cited
  • 2018Music and the political expression and mobilization of second and third-generation immigrants in urban Europe: insights from Liège (Belgium)17 cited
  • 2021Effect of Street Performance (Busking) on the Environmental Perception of Public Space15 cited
  • 2013Musicians and the politics of dignity in South India14 cited
  • 2021Differentiating busking from begging: A psychological approach8 cited
  • 2019Pedestrian Performances: Busking, Cosmopolitanism, and Ireland8 cited
  • 2021Riding the New York Subway6 cited
  • 2000The street musicians of Porto Alegre – a study based on life stories5 cited
  • 2019Extending aspirations: Taipei street performers and collaborative possibility

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5 cited
  • 2021The Short History of Syrian Street Music in Istanbul4 cited
  • 2021Respons Pengendara Terhadap Kehadiran Kelompok Pengamen Musik Angklung Lampu APILL (Studi Kasus: Pengendara di Lampu APILL Brigjend Katamso Yogyakarta)3 cited
  • 2023This City Needs Street Music: Practices, Experiences, and Meanings in the Busking Scene of Hong Kong2 cited