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Image and Audience: Rethinking Prehistoric Art
0 references·16 citing·41 second hop
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  • 2018The use of cave art through graphic space, visibility and cave transit: A new methodology31 cited
  • 2021Imaginary Vessels in the Late Bronze Age of Gotland and South Scandinavia: Ship Settings, Rock Carvings and Decorated Metalwork31 cited
  • 2020Unraveling rock art palimpsests through superimpositions: The definition of painting episodes in Los Toldos (southern Patagonia) as a baseline for chronology27 cited
  • 2019Northern Archaeology and Cosmology23 cited
  • 2016Embodiment, Transformation and Ideology in the Rock Art of Trans-Pecos Texas14 cited
  • 2013Daggers in the West: Early Bronze Age Daggers and Knives in the South-west Peninsula9 cited
  • 2019An integrated methodology for the study of Atlantic Rock Art7 cited
  • 2013From Landscape to Portable Art: The Changing Settings of Simple Rock Art in South-West Britain and its Wider Context6 cited
  • 2013Images of Shoes and Feet: Rock-Art Motifs and the Concepts of Dress and Nakedness5 cited
  • 2016The socio-ritual organisation of the upper Limarí Valley: Two rock art traditions, one landscape5 cited
  • 2020Novos datos sobre a arte rupestre no Miño litoral. O concello de As Neves (Pontevedra)4 cited
  • 2015Arte “Esquemática” de ar livre na bacia do Ave (Portugal, NO Ibérico): espacialidade, contexto, iconografia e cronologia2 cited
  • 2023Toward an Understanding of Indigenous Rock Art from an Ideational Cognitive Perspective

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2 cited
  • 2023grabados rupestres del sitio Curapil, en el piedemonte septentrional de la meseta de Somuncurá (Río Negro, Argentina)2 cited
  • 2017Images of the Past in the Lands of Antequera, Málaga, Spain. Palaeolithic to Post-Palaeolithic Transition in Southern Europe2 cited
  • 2022EL LADO OCULTO DE LA LOCALIDAD PARA YACU, SUR DE SANTIAGO DEL ESTERO, ARGENTINA. UN ENFOQUE SEMIÓTICO PARA LA INTERPRETACIÓN DE LAS PINTURAS RUPESTRES1 cited