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Some Intervallic Aspects of Pitch-Class Set Relations
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Some Intervallic Aspects of Pitch-Class Set Relations (1981)Some Intervallic Aspects of Pitch-Class S…Digital Concert Experience: An Online Research Project on Live Streaming During the Pandemic (2023)Digital Concert Experience: A…Middleground Structure in the Cadenza to Boulez’s Éclat (2019)Middleground Structure in the…A Voicing-Based Model for Additive Harmony (2017)A Voicing-Based Model for Add…Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner (2015)Review of “Tone Rows and Trop…Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II (2014)Complex Multiplication, Struc…Interval Permutations (2013)Interval PermutationsThe State of Research in Twelve-Tone and Atonal Theory (1989)The State of Research in Twel…Perspectives of New Music (1963)The Structure of Atonal Music (1973)Generalized Musical Intervals and Transformations (1988)Transformational Techniques in Atonal and Other Music Theories (1982)Cognitive constraints on compositional systems (1992)Pitch-Class Set Multiplication in Theory and Practice (1998)Statistical Form amongst the D armstadt School (2014)Between Freedom and Control (2017)Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître (2018)Structural Hearing; Tonal Coherence in Music (1953)The Oxford history of western music (2004)Music in the Galant Style (2007)Adventures in Tonal Gravity: George Russell’s Analysis of Maurice Ravel’s “Forlane” (2023)Stravinsky: The Progress of a Method (1962)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Segmentation and Process in Post-Tonal Music (1981)Variety and Multiplicity in Diatonic Systems (1985)Composition With Pitch-Classes (1987)Simetria intervalar e rede de coleções: análise estrutural dos Choros nº 4 e Choros nº 7 de Heitor Villa-Lobos (2014)Framing: Toward Clarification of a Fractured Paradigm (1993)Musicking: The Meanings of Performing and Listening (1999)Ways of Listening (2005)
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Cited by

  • 2014Complex Multiplication, Structure, and Process: Harmony and Form in Boulez's Structures II17 cited
  • 1989The State of Research in Twelve-Tone and Atonal Theory10 cited
  • 2017A Voicing-Based Model for Additive Harmony5 cited
  • 2015Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner4 cited
  • 2013Interval Permutations3 cited
  • 2019Middleground Structure in the Cadenza to Boulez’s Éclat3 cited
  • 2023Digital Concert Experience: An Online Research Project on Live Streaming During the Pandemic2 cited

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