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Cited by

• 2005Mapping Space, Mapping Time: the Thirteenth-century Vault Paintings at Salisbury Cathedral50 cited
• 1993Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of MacHaut40 cited
• 2015The Exegetical Motet35 cited
• 2011THE MEDIEVAL ARCHIVE AND THE HISTORY OF THEATRE: ASSESSING THE WRITTEN AND UNWRITTEN EVIDENCE FOR PREMODERN PERFORMANCE26 cited
• 2016The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century23 cited
• 2011The songs of Johannes Decanus20 cited
• 2009Liturgists and Dance in the Twelfth Century: The Witness of John Beleth and Sicard of Cremona20 cited
• 2011FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST18 cited
• 2019Guillaume Du Fay5 cited
• 2018THE PRODUCTION OF POLYPHONIC MANUSCRIPTS IN THIRTEENTH-CENTURY PARIS: NEW EVIDENCE FOR STANDARDISED PROCEDURES4 cited
• 1992‘La contenance italienne’: the motets on Beata es Maria by Compère, Obrecht and Brumel3 cited
• 2019Composing Community in Late Medieval Music3 cited