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Toga Plays and Tableaux Vivants: Theatre and Painting on London’s Late-Victorian and Edwardian Popular Stage
16 references·0 citing·28 second hop
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References

  • 1989Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siecle Culture374 cited
  • 1989Myths of Sexuality: Representations of Women in Victorian Britain229 cited
  • 1996Theater and Society in the Classical World205 cited
  • 1999The Victorian Music Hall: Culture, Class and Conflict172 cited
  • 1999Classics Transformed: Schools, Universities, and Society in England, 1830-1960171 cited
  • 2004The Cambridge Companion to Victorian and Edwardian Theatre133 cited
  • 1996The Edwardian Theatre: Essays on Performance and the Stage131 cited
  • 1986Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England121 cited
  • 1996Romanticism and the Rise of History.121 cited
  • 2004The Cambridge History of British Theatre114 cited
  • 1986The Civilisation of the Crowd: Popular Culture in England 1750-1900113 cited
  • 1992The New woman and her sisters: feminism and theatre, 1850-1914103 cited
  • 1934Our Theatres in the Nineties70 cited
  • 2006Consuming fantasies: labor, leisure, and the London shopgirl, 1880-192064 cited
  • 1999Classical mythology in the Victorian popular theatre48 cited

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2006
Art or Indecency?Tableaux Vivantson the London Stage and the Failure of Late Victorian Moral Reform
48 cited

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