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Preferred work patterns of creative artists
16 references·7 citing·31 second hop
Preferred work patterns of creative artists (2007)Preferred work patterns of creative artis…Handbook of the Economics of Art and Culture (2013)Handbook of the Economics of …Chapter 23 Artists' Careers and Their Labor Markets (2006)Chapter 23 Artists' Careers a…Chapter 22 Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management (2006)Chapter 22 Artistic Labor Mar…ARTISTS' CAREERS AND THEIR LABOR MARKETS (2006)ARTISTS' CAREERS AND THEIR LA…ARTISTIC LABOR MARKETS: CONTINGENT WORK, EXCESS SUPPLY AND OCCUPATIONAL RISK MANAGEMENT * (2006)ARTISTIC LABOR MARKETS: CONTI…Don't give up your day job : an economic study of professional artists in Australia (2003)Don't give up your day job : …Why Are Artists Poor? (2002)Why Are Artists Poor?Economic Lives of Artists : Studies into Careers and the Labour Market in the Cultural Sector (2002)Economic Lives of Artists : S…Creative Industries: Contracts between Art and Commerce (2001)Creative Industries: Contract…Creative industries: contracts between art and commerce (2000)Creative industries: contract…An Economic Theory of Avant-Garde and Popular Art, or High and Low Culture (2000)An Economic Theory of Avant-G…Economics of the arts : selected essays (1996)Economics of the arts : selec…The Production and Consumption of the Arts: A View of Cultural Economics (1994)The Production and Consumptio…Cultural Economics And Cultural Policies (1994)Cultural Economics And Cultur…A Work-Preference Model of Artist Behaviour (1994)A Work-Preference Model of Ar…Toward a Unified Theory of the Determinants of the Earnings of Artists (1992)Toward a Unified Theory of th…Motivations and Intentionality in the Arts Portfolio Career (2022)Motivations and Intentionalit…Television Serials as Career Stepping Stones: An Empirical Analysis of Employment Paths of Professional Actors (2021)Television Serials as Career …Impact of Government Support on Performing Artists’ Job and Life Satisfaction: Findings from The National Survey in Korea (2020)Impact of Government Support …Educating artists in management – An analysis of art education programmes in DACH region (2015)Educating artists in manageme…Arts Entrepreneurship and Economic Development: Can Every City be “ Austintatious ”? (2011)Arts Entrepreneurship and Eco…Working on the edge? Creative jobs in Birmingham, Leipzig and Poznan (2010)Working on the edge? Creative…Arts Entrepreneurship and Economic Development: Can Every City Be Austintatious? (2010)Arts Entrepreneurship and Eco…The Market for "Lemons": Quality Uncertainty and the Market Mechanism (1970)A Theory of Rational Addiction (1988)Hardware gimmick or cultural innovation? Technological, cultural, and social foundations of the Japanese video game industry (2003)Four models of the creative industries (2008)The Theory of the Leisure Class (2009)TALENT AND/OR POPULARITY: WHAT DOES IT TAKE TO BE A SUPERSTAR? (2010)The social psychology of organizing (1969)Endogenous Technological Change (1990)The Management of Innovation (1994)Making the Intern Economy: Role and Career Challenges of the Music Industry Intern (2013)Informal creative labour practices: A relational work perspective (2018)Cultural and Creative Industries and Urban (Re)Development in China (2020)The Declining Price Anomaly in Dutch Dutch Rose Auctions (2001)Chapter 25 Stardom and Talent (2006)In the Social Factory? (2008)Let a Thousand Flowers Bloom? An Early Look at Large Numbers of Software App Developers and Patterns of Innovation (2011)Die Gesellschaft der Singularitäten (2018)‘A very complicated version of freedom’: Conditions and experiences of creative labour in three cultural industries (2009)The Rationalization of Charity: The Influences of Professionalism in the Nonprofit Sector (2009)Financial constraints in China: Firm-level evidence (2010)A Textbook of Cultural Economics (2010)Unrewarded careers in the creative class: The strange case of bohemian graduates (2010)A Textbook of Cultural Economics (2019)The happy artist: an empirical application of the work-preference model (2012)Who Goes Freelance? The Determinants of Self-Employment for Artists (2017)Australian Artists, Starving and Well-Nourished: What Can we Learn from the Prototypical Protean Career? (2005)Skills for creative industries graduate success (2011)Building global knowledge pipelines: The role of temporary clusters (2006)Tourism, Creativity and Development (2007)Qualitative Research in Management: A Decade of Progress (2010)Culture, economics and sustainability (1995)
this work references cited by second hop

References

  • 2000Creative industries: contracts between art and commerce1,956 cited
  • 2001Creative Industries: Contracts between Art and Commerce1,210 cited
  • 1994The Production and Consumption of the Arts: A View of Cultural Economics660 cited
  • 2013Handbook of the Economics of Art and Culture496 cited
  • 2002Why Are Artists Poor?209 cited
  • 2006Chapter 22 Artistic Labor Markets: Contingent Work, Excess Supply and Occupational Risk Management171 cited
  • 1994A Work-Preference Model of Artist Behaviour159 cited
  • 2003Don't give up your day job : an economic study of professional artists in Australia145 cited
  • 1994Cultural Economics And Cultural Policies127 cited
  • 1996Economics of the arts : selected essays121 cited
  • 2006Chapter 23 Artists' Careers and Their Labor Markets118 cited
  • 2000An Economic Theory of Avant-Garde and Popular Art, or High and Low Culture83 cited
  • 2006ARTISTIC LABOR MARKETS: CONTINGENT WORK, EXCESS SUPPLY AND OCCUPATIONAL RISK MANAGEMENT *73 cited
  • 2006ARTISTS' CAREERS AND THEIR LABOR MARKETS72 cited
  • 2002Economic Lives of Artists : Studies into Careers and the Labour Market in the Cultural Sector56 cited

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  • 1992Toward a Unified Theory of the Determinants of the Earnings of Artists55 cited
  • Cited by

    • 2010Arts Entrepreneurship and Economic Development: Can Every City Be Austintatious?39 cited
    • 2011Arts Entrepreneurship and Economic Development: Can Every City be “ Austintatious ”?32 cited
    • 2022Motivations and Intentionality in the Arts Portfolio Career9 cited
    • 2015Educating artists in management – An analysis of art education programmes in DACH region9 cited
    • 2010Working on the edge? Creative jobs in Birmingham, Leipzig and Poznan7 cited
    • 2020Impact of Government Support on Performing Artists’ Job and Life Satisfaction: Findings from The National Survey in Korea6 cited
    • 2021Television Serials as Career Stepping Stones: An Empirical Analysis of Employment Paths of Professional Actors4 cited