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Between 1885 and the First World War, German and Austrian alpinists talked of “opening up” the Alps in Germany and the Austrian Empire with a vast network of huts and paths. This article argues that this effort to develop the Alps arose from a series of relationships between people, objects, representations and affects which linked urban spaces of middle-class conduct to the alpine environment. Alpinists utilised media such as landscape reliefs and panoramas not merely to represent the Alps, but to inculcate a particular affective response amongst Germany's urban middle-class, or Bürgertum. Instead of a Romantic ideal of mountains as unknowable symbols of nature's power, these alpinists promoted a modern gaze which would see all, from the safety of a controlled, governable landscape. In doing so, alpinists legitimised their intervention in the Eastern Alps, developing these once unknown landscapes as a bürgerlich [bourgeois, or middle-class] cultural resource.
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