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Whose Modernism Is It? Abraham Cahan, Fictions of Yiddish, and the Contest of Modernity
16 references·1 citing·30 second hop
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References

  • 1998Modernity at Large: Cultural Dimensions of Globalization.18,135 cited
  • 1983The Culture of Time and Space, 1880-1918595 cited
  • 2002Selling the Lower East Side: Culture, Real Estate, and Resistance in New York City314 cited
  • 1907The American Scene264 cited
  • 1990The Meaning of Yiddish220 cited
  • 1997The First Moderns215 cited
  • 1932The Autobiography of Lincoln Steffens183 cited
  • 1964The Promised City: New York's Jews, 1870-1914178 cited
  • 2000City Reading: Written Words and Public Spaces in Antebellum New York.172 cited
  • 1993In defiance of painting: cubism, futurism, and the invention of collage122 cited
  • 1997Science, Jews, and Secular Culture: Studies in Mid-Twentieth-Century American Intellectual History102 cited
  • 1984Language in the USA97 cited
  • 1993Black Riders: The Visible Language of Modernism75 cited
  • 1989Collage : critical views68 cited
  • 1977From the Ghetto: The Fiction of Abraham Cahan.60 cited
  • 1999Cubism in the shadow of war: the avant-garde and politics in Paris, 1905-191443 cited

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Cited by

  • 2015The Cambridge History of Jewish American Literature26 cited