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Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949
0 references·13 citing·37 second hop
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Cited by

  • 2005The New Hollywood Racelessness: Only the Fast, Furious, (and Multiracial) Will Survive79 cited
  • 2014Humanist Interpretation Versus Coding Text Samples67 cited
  • 2019“Something Wasn’t Clean”: Black Midwifery, Birth, and Postwar Medical Education in All My Babies26 cited
  • 2003The Good Lynching and The Birth of a Nation: Discourses and Aesthetics of Jim Crow22 cited
  • 2014Tap and Teeth: Virtuosity and the Smile in the Films of Bill Robinson and Eleanor Powell19 cited
  • 2004"Rebirth of a Nation": Hurston in Haiti16 cited
  • 2022Gossip Talk and Online Community: Celebrity Gossip Blogs and Their Audiences16 cited
  • 2009Taking Hollywood Back: The Historical Costume Drama, the Biopic, and Popular Front U.S. Film Criticism15 cited
  • 2006Disturbing the Peace: Lost Boundaries, Pinky, and Censorship in Atlanta, Georgia, 1949-195211 cited
  • 2011African‐Americans and Silent Films11 cited
  • 2010Integration through the wide open back door: African Americans respond to Flower Drum Song (1958)10 cited
  • 2006The Woman Film Critic: Newspapers, Cinema and Iris Barry7 cited
  • 2011Jim Brown: From Integration to Resegregation in The Dirty Dozen and 100 Rifles6 cited

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