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The Mass Society and Group Action Theories of Cultural Production: The Case of Stylistic Innovation in Jazz
12 references·1 citing·33 second hop
The Mass Society and Group Action Theories of Cultural Production: The Case of Stylistic Innovation in Jazz (1981)The Mass Society and Group Action Theorie…Black Culture and Black Consciousness (2007)Black Culture and Black Consc…The Simplex Located in Art Worlds (1979)The Simplex Located in Art Wo…The jazz text (1979)The jazz textThe Black Family in Slavery and Freedom, 1750-1925. (1977)The Black Family in Slavery a…Introduction to the Sociology of Music. (1977)Introduction to the Sociology…The Jazz Scene (1975)The Jazz SceneFrom Region to Class, The Changing Locus of Country Music: A Test of the Massification Hypothesis (1975)From Region to Class, The Cha…Social Change and the Jazz Musician (1967)Social Change and the Jazz Mu…Jazz and the White Americans (1963)Jazz and the White AmericansThe Jazz Community (1960)The Jazz CommunityThe Professional Dance Musician and His Audience (1951)The Professional Dance Musici…Jazz: Resistance to the Diffusion of a Culture-Pattern (1947)Jazz: Resistance to the Diffu…The occupational orientations of jazz musicians: Some recent findings and a reexamination of the evidence (1983)The occupational orientations…Industrial Market Structure and Economic Performance. (1971)Revitalizing the Culture Concept (1979)The Nature of Social Worlds (1980)The Structure of Scientific Revolutions (1996)Side-roads to success: The effect of sideline activities on the status of writers (1998)The Structure of Scientific Revolutions (2017)Club cultures: music, media and subcultural capital (1996)Music as a technology of the self (1999)Tweets and the Streets : Social Media and Contemporary Activism (2012)Langston Hughes and the “Nonsense” of Bebop (2000)Cante Hondo: Charles Mingus, Nat Hentoff, and Jazz Racism1 (2006)The ‘Caruso of Jazz’ and a ‘Creole Benvenuto Cellini’ Verdi, ‘Miserere … Ah, che la morte ognora’ (Leonora, Manrico), Il trovatore, Act IV (2016)Producing Artistic Value: The Case of Rock Music (1994)When Cymbals Become Symbols: Conflict Over Organizational Identity Within a Symphony Orchestra (2000)Nexus Work: Brokerage on Creative Projects (2009)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)13 "DOES CULTURAL CAPITAL STRUCTURE AMERICAN CONSUMPTION?" (1998) (1998)Class, Status, and Power among Jazz and Commercial Musicians (1966)Constructive Elements in Jazz Improvisation (1974)Musicians as entrepreneurs or entrepreneurs as musicians? (2018)A World of Difference: Constructing the "Underclass" in Progressive America (1997)The rise and fall of highbrow snobbery as a status marker (1997)In Search of Authenticity* (2005)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)Whose culture has capital? A critical race theory discussion of community cultural wealth (2005)The essence of innocence: Consequences of dehumanizing Black children. (2014)Music in American Culture (1955)Disciplinary Movements, the Civil Rights Movement, and Charles Keil's Urban Blues (2005)Boundaries and Early Jazz: Defining a New Music (2010)Afro-American Cognitive Style: A Variable in School Success? (1982)Diaspora Literacy and Consciousness in the Struggle Against Miseducation in the Black Community (1992)Urban Outcasts: Stigma and Division in the Black American Ghetto and the French Urban Periphery* (1993)
this work references cited by second hop

References

  • 1977Introduction to the Sociology of Music.663 cited
  • 1977The Black Family in Slavery and Freedom, 1750-1925.619 cited
  • 2007Black Culture and Black Consciousness465 cited
  • 1951The Professional Dance Musician and His Audience289 cited
  • 1975From Region to Class, The Changing Locus of Country Music: A Test of the Massification Hypothesis134 cited
  • 1963Jazz and the White Americans64 cited
  • 1960The Jazz Community45 cited
  • 1979The Simplex Located in Art Worlds43 cited
  • 1975The Jazz Scene42 cited
  • 1947Jazz: Resistance to the Diffusion of a Culture-Pattern40 cited
  • 1967Social Change and the Jazz Musician27 cited
  • 1979The jazz text17 cited

Cited by

  • 1983The occupational orientations of jazz musicians: Some recent findings and a reexamination of the evidence3 cited

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