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Cited by

• 2006A Literary History of Women's Writing in Britain, 1660–1789137 cited
• 2004The Cambridge History of British Theatre114 cited
• 1998Rape and the Female Subject in Aphra Behn's The Rover38 cited
• 2008Women and Shakespeare in the Restoration and Eighteenth Century29 cited
• 1997Restoration Women Playwrights and the Limits of Professionalism25 cited
• 2000Picturing Tragedy: Mrs. Siddons as The Tragic Muse Revisited24 cited
• 1996A Nature of “infinite sense and reason”: Margaret Cavendish's natural philosophy and the “noise” of a feminized nature22 cited
• 2004Theatre companies and regulation19 cited
• 2010Katherine Philips as Political Playwright: "The Songs Between the Acts" in Pompey17 cited
• 2009The problem of periodization: Enlightenment, Romanticism and the fate of system16 cited
• 1999"To Sing the Town": Women, Place, and Print Culture in Eighteenth-Century Bath15 cited
• 2009Desire and dramatic form in early modern England14 cited
• 2000Self-Crowned Laureatess: Towards a Critical Revaluation of Margaret Cavendish's Prefaces10 cited
• 1999Tactile places: Materializing desire in Margaret Cavendish and Jane Barker10 cited