SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
TEXTILE CONSERVATION IN SPAIN
1 references·4 citing·27 second hop
TEXTILE CONSERVATION IN SPAIN (1992)TEXTILE CONSERVATION IN SPAINTrajes y modas en la España de los Reyes Católicos (1978)Trajes y modas en la España d…Unveiling Harriet Backer: ICP–OES study for the characterisation of the colour tubes from her original paint box (2019)Unveiling Harriet Backer: ICP…Man-made blue and purple barium copper silicate pigments and the pabstite (BaSnSi3O9) mystery of ancient Chinese wall paintings from Luoyang (2019)Man-made blue and purple bari…Three fabricated pigments (Han purple, indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy, energy‐dispersive X‐ray spectrometry and polarized light microscopy (2007)Three fabricated pigments (Ha…Spectroscopic Study of Egyptian Blue Mixed with Other Pigments (2003)Spectroscopic Study of Egypti…Spectrochemical characterization by micro-FTIR spectroscopy of blue pigments in different polychrome works of art (1999)Ancient Man-made Copper Silicate Pigments Studied by Raman Microscopy (2001)Roman wall paintings characterization from Cripta del Museo and Alcazaba in Mérida (Spain): chromatic, energy dispersive X-ray flurescence spectroscopic, X-ray diffraction and Fourier transform infrared spectroscopic analysis (2001)Identification of Theophrastus’ pigments egyptios yanos and psimythion from archaeological excavations (2010)A Multi-Analytical Approach for the Characterisation of Pigments from an Egyptian Sarcophagus Cover of the Late Dynastic Period: A Case Study (2023)Fourier Transform Infrared (FTIR) Database of Historical Pigments: A Comparison Between ATR-FTIR and DRIFT Modalities (2025)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Development of Chinese barium copper silicate pigments during the Qin Empire based on Raman and polarized light microscopy studies (2014)Characterization of Ancient Chinese Textiles by ultra-high performance liquid chromatography/quadrupole-time of flight mass spectrometry (2017)Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty (2020)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)Statistics and Chemometrics for Analytical Chemistry (2005)Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy (2008)Munch and optical coherence tomography: unravelling historical and artist applied varnish layers in painting collections (2021)Reflectance hyperspectral data processing on a set of Picasso paintings: which algorithm provides what? A comparative analysis of multivariate, statistical and artificial intelligence methods (2021)A study of cadmium yellow paints from Joan Miró’s paintings and studio materials preserved at the Fundació Miró Mallorca (2023)Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology (1983)The invention of blue and purple pigments in ancient times (2006)The Invention of Blue and Purple Pigments in Ancient Times (2007)Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques (2022)Identification of the Pigments on the Mural Paintings from an Ancient Chinese Tomb of Tang Dynasty Using Micro-Raman and Scanning Electron Microscopy/Energy Dispersive X-ray Spectroscopy Analysis (2023)Adaptive superpixel segmentation and pigment identification of colored relics based on visible spectral images (2024)El ajuar funerario del arzobispo de Zaragoza y Valencia, Don Alonso de Aragón (1470-1520) (2017)The Royal House of Isabel I of Castile (1492-1504): use of silk, wool and linen according to the accounts of Gonzalo de Baeza (2019)Vestir a la morisca para el juego de cañas. Símbolo, significado y estudio de su indumentaria (ss. XV-XVI). (2025)
this work references cited by second hop

References

  • 1978Trajes y modas en la España de los Reyes Católicos20 cited

Cited by

  • 2007Three fabricated pigments (Han purple, indigo and emerald green) in ancient Chinese artifacts studied by Raman microscopy, energy‐dispersive X‐ray spectrometry and polarized light microscopy48 cited
  • 2003Spectroscopic Study of Egyptian Blue Mixed with Other Pigments29 cited
  • 2019Man-made blue and purple barium copper silicate pigments and the pabstite (BaSnSi3O9) mystery of ancient Chinese wall paintings from Luoyang25 cited
  • 2019Unveiling Harriet Backer: ICP–OES study for the characterisation of the colour tubes from her original paint box24 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work