Novel analytical methods for characterising binding media and protective coatings in artworksMaría Teresa Doménech‐Carbó2008-05-31articleAnalytica Chimica Acta148 citationsclosedNo readable copy stored yet — this record is metadata only.Cultural Heritage Materials AnalysisSpectroscopy and Chemometric AnalysesConservation Techniques and StudiesAbstractNo abstract was published for this record.Citations in this libraryStored only when both papers are in the corpus — 148 citations exist upstream.References2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation2000Infrared Spectroscopy in Conservation Science2007A Decade of Raman Spectroscopy in Art and Archaeology2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art1988Materials for Conservation; Organic Consolidants, Adhesives and Coatings1987The Organic Chemistry of Museum Objects2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample1977NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATIONCited by2013Mobile depth profiling and sub-surface imaging techniques for historical paintings—A review2011Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings2009Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR2010Immunodetection of Proteins in Ancient Paint Media2018Recent Advances in Analytical Pyrolysis to Investigate Organic Materials in Heritage Science2009Proteomic strategies for the identification of proteinaceous binders in paintings2010Application of ATR-far-infrared spectroscopy to the analysis of natural resins2014Application of Pyrolysis Gas Chromatography/Mass Spectrometry in Lacquer Research: A Review