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Towards proteomic analysis of milk proteins in historical building materials
15 references·11 citing·35 second hop
Towards proteomic analysis of milk proteins in historical building materials (2009)Towards proteomic analysis of milk protei…Time-resolved fluorescence spectroscopy and imaging of proteinaceous binders used in paintings (2007)Time-resolved fluorescence sp…Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Raman Spectra of Proteinaceou…Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry (2007)Identification of proteinaceo…GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences (2007)GC–MS identification of prote…The Use of Immunofluorescence Microscopy and Enzyme-Linked Immunosorbent Assayas Complementary Techniques for Protein Identification in Artists' Materials (2006)The Use of Immunofluorescence…Identification of Proteins in Renaissance Paintings by Proteomics (2006)Identification of Proteins in…Analysis of organic colouring and binding components in colour layer of art works (2005)Analysis of organic colouring…Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings (2004)Matrix‐assisted laser desorpt…Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Characterisation of proteinac…Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy) (2003)Gas chromatography/mass spect…Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art (2001)Identification by GC-FID and …Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Characterisation of proteinac…Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids (1998)Characterization of Proteinac…Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry (1998)Characterisation of standard …Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’ (1992)Amino acid analysis of protei…Analysis of protein additives degradation in aged mortars using mass spectrometry and principal component analysis (2021)Analysis of protein additives…Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars (2017)Comparison of analytical tool…Electrospray Ionization Linear Trap Quadrupole Orbitrap in Analysis of Old Tempera Paintings: Application to Nineteenth-Century Orthodox Icons (2015)Electrospray Ionization Linea…Proteomic identification of adhesive on a bone sculpture-inlaid wooden artifact from the Xiaohe Cemetery, Xinjiang, China (2014)Proteomic identification of a…Comparison of binder compositions in Pompeian wall painting styles from Insula Occidentalis (2014)Comparison of binder composit…Peptide mass mapping as an effective tool for historical mortar analysis (2013)Peptide mass mapping as an ef…Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry (2013)Identification of protein bin…Multi-technique chemical characterisation of a 12–13th-century painted Crucifix (2012)Multi-technique chemical char…Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis (2012)Collagen‐based proteinaceous …Spatially resolved mass spectrometry in the study of art and archaeological objects (2011)Spatially resolved mass spect…Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products (2011)Fingerprinting of egg and oil…National Gallery Technical Bulletin (1979)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Proteomic strategies for the identification of proteinaceous binders in paintings (2009)Immunodetection of Proteins in Ancient Paint Media (2010)Painting Materials: A Short Encyclopedia (2011)Methods and materials of painting of the great schools and masters (1960)Deamidation at Asparagine and Glutamine As a Major Modification upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Laser spectroscopies for elemental and molecular analysis in art and archaeology (2011)Palaeoproteomic Profiling of Conservation Layers on a 14th Century Italian Wall Painting (2018)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Non-invasive identification of organic materials in wall paintings by fiber optic reflectance infrared spectroscopy: a statistical multivariate approach (2009)Tryptic peptide analysis of protein binders in works of art by liquid chromatography–tandem mass spectrometry (2009)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)The Organic Chemistry of Museum Objects (1988)The potential of pyrolysis—gas chromatography/mass spectrometry in the recognition of ancient painting media (1993)Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)A simple protocol for Matrix Assisted Laser Desorption Ionization- time of flight-mass spectrometry (MALDI-TOF-MS) analysis of lipids and proteins in single microsamples of paintings (2012)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Improved procedure for protein binder analysis in mural painting by LC-ESI/Q-q-TOF mass spectrometry: detection of different milk species by casein proteotypic peptides (2009)Classification of protein binders in artist's paints by matrix‐assisted laser desorption/ionisation time‐of‐flight mass spectrometry: an evaluation of principal component analysis (PCA) and soft independent modelling of class analogy (SIMCA) (2011)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Characterisation of wax works of art by gas chromatographic procedures (2005)Organic Chemistry of Museum Objects (2012)The Organic Chemistry of Museum Objects (1987)Analytical study of proteinaceous binding media in works of art by gas chromatography using alkyl chloroformates as derivatising agents (2002)Characterisation of wall paintings in the Sos Furrighesos necropolis (Anela, Italy) (2002)The analysis of naturally and artificially aged protein‐based paint media using Raman spectroscopy combined with Principal Component Analysis (2008)The materials and techniques of medieval painting (1956)Electrochemical analysis of natural solid organic dyes and pigments (2003)Identification of proteins in painting cross-sections by immunofluorescence microscopy (2008)Development of an analytical protocol for a fast, sensitive and specific protein recognition in paintings by enzyme-linked immunosorbent assay (ELISA) (2010)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals (2009)
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References

  • 2006Identification of Proteins in Renaissance Paintings by Proteomics134 cited
  • 1999Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry127 cited
  • 2004Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques115 cited
  • 2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
  • 2007Identification of proteinaceous binders used in artworks by MALDI-TOF mass spectrometry84 cited
  • 2004Matrix‐assisted laser desorption/ionization time‐of‐flight mass spectrometry as a tool for fast identification of protein binders in color layers of paintings78 cited
  • 2006The Use of Immunofluorescence Microscopy and Enzyme-Linked Immunosorbent Assayas Complementary Techniques for Protein Identification in Artists' Materials75 cited
  • 2007GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences70 cited
  • 1998Characterisation of standard tempera painting layers containing proteinaceous binders by pyrolysis (/methylation)-gas chromatography-mass spectrometry59 cited
  • 1998Characterization of Proteinaceous Binders in Wall Painting Samples by Microwave-Assisted Acid Hydrolysis and GC-MS Determination of Amino Acids58 cited
  • 2003Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy)55 cited
  • 2005Analysis of organic colouring and binding components in colour layer of art works

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52 cited
  • 2001Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art52 cited
  • 1992Amino acid analysis of proteinaceous media from Cosimo Tura's ‘The Annunciation with Saint Francis and Saint Louis of Toulouse’50 cited
  • 2007Time-resolved fluorescence spectroscopy and imaging of proteinaceous binders used in paintings49 cited
  • Cited by

    • 2014Proteomic identification of adhesive on a bone sculpture-inlaid wooden artifact from the Xiaohe Cemetery, Xinjiang, China45 cited
    • 2011Fingerprinting of egg and oil binders in painted artworks by matrix-assisted laser desorption ionization time-of-flight mass spectrometry analysis of lipid oxidation by-products42 cited
    • 2013Identification of protein binders in artworks by MALDI-TOF/TOF tandem mass spectrometry38 cited
    • 2013Peptide mass mapping as an effective tool for historical mortar analysis32 cited
    • 2012Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis31 cited
    • 2014Comparison of binder compositions in Pompeian wall painting styles from Insula Occidentalis29 cited
    • 2017Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars26 cited
    • 2012Multi-technique chemical characterisation of a 12–13th-century painted Crucifix25 cited
    • 2011Spatially resolved mass spectrometry in the study of art and archaeological objects23 cited
    • 2021Analysis of protein additives degradation in aged mortars using mass spectrometry and principal component analysis19 cited
    • 2015Electrospray Ionization Linear Trap Quadrupole Orbitrap in Analysis of Old Tempera Paintings: Application to Nineteenth-Century Orthodox Icons13 cited