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Revolutionary Spaces: Photographs of Working-class Women by Esther Bubley 1940–1943
7 references·1 citing·23 second hop
Revolutionary Spaces: Photographs of Working-class Women by Esther Bubley 1940–1943 (1996)Revolutionary Spaces: Photographs of Work…The Contest of Meaning: Critical Histories of Photography (1992)The Contest of Meaning: Criti…Symbols of Ideal Life: Social Documentary Photography in America, 1890- 1950. (1990)Symbols of Ideal Life: Social…Symbols of Ideal Life: Social Documentary Photography in America 1890-1950 (1990)Symbols of Ideal Life: Social…In Visible Light: Photography And The American Writer, 1840-1940 (1987)In Visible Light: Photography…Another way of telling (1982)Another way of tellingDorothea Lange and the Documentary Tradition (1981)Dorothea Lange and the Docume…In this proud land: America, 1935-1943, as seen in the FSA photographs (1973)In this proud land: America, …Teaching gender with libraries and archives : the power of information (2013)Teaching gender with librarie…Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)The Forms of Capital (2002)The Location of Culture (2012)The Photograph's Last Word: Visual Culture Studies Now (2010)Economics for the Masses: The Visual Display of Economic Knowledge in the United States (1910-45) (2013)Distant Viewing (2023)Visual sociology: Expanding sociological vision (1988)The Production and Consumption of Environmental Meanings in the Mass Media: A Research Agenda for the 1990s (1990)News and Nuances of the Entrepreneurial Myth and Metaphor: Linguistic Games in Entrepreneurial Sense–Making and Sense–Giving (2005)Hawthorne and the aesthetics of American romance (2011)The Cambridge History of the American Novel (2011)The worlding of the American novel (2011)Representing Discourse: The Rhetoric of Transcription (1991)Contested Global Visions: One-World, Whole-Earth , and the Apollo Space Photographs (1994)Objects of Affect: Photography Beyond the Image (2012)"The Color of My Skin, the Shape of My Eyes": Photographs of the Japanese-American Internment by Dorothea Lange, Ansel Adams, and Toyo Miyatake (1996)“Cameras ‘never lie’”: The Role of Photography in Telling the Story of American Evangelical Missions (2003)Photographing Objects as Queer Archival Practice (2014)Grounding Visual Sociology Research in Shooting Scripts (1997)The Hair in the Gate: Visuality and Geographical Knowledge (2003)From ‘the horse in motion’ to ‘man in motion’ (2005)Social Reform, Social Surveys, and the Discovery of the Modern City (1990)Robert Moses and the Visual Dimension of Physical Disorder (2013)
this work references cited by second hop

References

  • 1992The Contest of Meaning: Critical Histories of Photography405 cited
  • 1982Another way of telling278 cited
  • 1987In Visible Light: Photography And The American Writer, 1840-1940176 cited
  • 1990Symbols of Ideal Life: Social Documentary Photography in America 1890-195072 cited
  • 1973In this proud land: America, 1935-1943, as seen in the FSA photographs54 cited
  • 1981Dorothea Lange and the Documentary Tradition48 cited
  • 1990Symbols of Ideal Life: Social Documentary Photography in America, 1890- 1950.24 cited

Cited by

  • 2013Teaching gender with libraries and archives : the power of information6 cited

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