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The Cambridge companion to jazz
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  • 2009The Relevance of Husserl's Theory to Language Socialization142 cited
  • 2014Music and Ethical Responsibility120 cited
  • 2006Constructions of jazz: How Jazz musicians present their collaborative musical practice57 cited
  • 2005The meaning of the blues: musical identities in talk about jazz32 cited
  • 2012Rituals of Creativity: Tradition, Modernity, and the “Acoustic Unconscious” in a U.S. Collegiate Jazz Music Program32 cited
  • 2010Swinging within the iron cage: Modernity, creativity, and embodied practice in American postsecondary jazz education30 cited
  • 2014The Cambridge Companion to Duke Ellington24 cited
  • 2013Queer Encounters in the Music of Billy Strayhorn23 cited
  • 2017Explorational instrumental practice: An expansive approach to the development of improvisation competence22 cited
  • 2020The Aesthetics of Imperfection Reconceived: Improvisations, Compositions, and Mistakes19 cited
  • 2015Introduction: the interdisciplinary world of hip-hop studies13 cited
  • 2019Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas10 cited
  • 2012What is bluegrass anyway? Category formation, debate and the framing of musical genre9 cited
  • 2017Writing about music: The selection and arrangement of notation in jazz students’ written texts

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8 cited
  • 2018The Constrained Position of Young Musicians in the Yogyakarta Jazz Community8 cited
  • 2013Jam sessions in Manhattan as rituals6 cited