SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Early Photography's Late Romanticism
16 references·0 citing·33 second hop
Early Photography's Late Romanticism (2011)Early Photography's Late RomanticismFrankenstein, Or The Modern Prometheus (2018)Frankenstein, Or The Modern P…The story of joy: from the Bible to late Romanticism (2008)The story of joy: from the Bi…Benjamin’s Aura (2008)Benjamin’s AuraOn late style: music and literature against the grain (2007)On late style: music and lite…Always already new: media, history, and the data of culture (2007)Always already new: media, hi…Always Already New (2006)Always Already NewCamera Lucida: Reflections on Photography (2001)Camera Lucida: Reflections on…Burning with Desire: The Conception of Photography (1999)Burning with Desire: The Conc…Scenes in a Library: Reading the Photograph in the Book, 1843-1875 (1998)Scenes in a Library: Reading …Burning with desire: the conception of photography (1998)Burning with desire: the conc…Words of light: theses on the photography of history (1997)Words of light: theses on the…The return of the visible in British romanticism (1994)The return of the visible in …Larry J. Schaaf. Out of the Shadows: Herschel, Talbot, and the Invention of Photography. New Haven: Yale University Press. 1992. Pp. xii, 188. $50.00 (1994)Larry J. Schaaf. Out of the S…Words of Light: Theses on the Photography of History (1992)Words of Light: Theses on the…Techniques of the observer: on vision and modernity in the nineteenth century (1991)Techniques of the observer: o…The Pencil of Nature (1969)The Pencil of NatureUnderstanding Media: The Extensions of Man (1964)Keywords: A Vocabulary of Culture and Society (1977)We have never been modern (1994)Ethnographic Approaches to Digital Media (2010)The Quadruple Object (2011)The Relevance of Algorithms (2014)The dialectics of seeing: Walter Benjamin and the Arcades project (1990)Benjamin and Cinema: Not a One-Way Street (1999)Little History of Photography (2008)Authenticity & aura (2011)M(Art)Worlds: Consumer Perceptions of How Luxury Brand Stores Become Art Institutions (2014)Rethinking the geographies of cultural ‘objects’ through digital technologies (2015)Surviving Images: Holocaust Photographs and the Work of Postmemory (2001)Handbook of the Arts in Qualitative Research: Perspectives, Methodologies, Examples, and Issues (2008)A Networked Self (2010)Lines of sight: on the visualization of unknown futures (2009)When Opera Meets Film (2010)Geographies of ageing (2014)New Media: A Critical Introduction (2003)Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies (2015)Marketplace Mythology and Discourses of Power (2004)Future Imperfect (2015)TransMaterialities (2015)Archaeology and the Senses (2013)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Contemporary Art and the Politics of Aesthetics (2009)Allegories of the Anthropocene (2019)Allegories of the Anthropocene (2019)Media Ideologies: An Introduction (2010)Media Ecology: Exploring the Metaphor to Expand the Theory (2012)Family photographs and domestic spacings: a case study (2003)Notes from the Surface of the Image (2003)Media and the Imaginary in History (2014)
this work references cited by second hop

References

  • 2001Camera Lucida: Reflections on Photography5,456 cited
  • 1991Techniques of the observer: on vision and modernity in the nineteenth century2,953 cited
  • 2006Always Already New816 cited
  • 2007Always already new: media, history, and the data of culture777 cited
  • 2018Frankenstein, Or The Modern Prometheus549 cited
  • 2007On late style: music and literature against the grain460 cited
  • 1997Words of light: theses on the photography of history357 cited
  • 1998Burning with desire: the conception of photography270 cited
  • 1999Burning with Desire: The Conception of Photography263 cited
  • 2008Benjamin’s Aura224 cited
  • 1992Words of Light: Theses on the Photography of History210 cited
  • 1969The Pencil of Nature110 cited
  • 2008The story of joy: from the Bible to late Romanticism106 cited
  • 1998Scenes in a Library: Reading the Photograph in the Book, 1843-1875101 cited
  • 1994The return of the visible in British romanticism101 cited
  • 1994Larry J. Schaaf. Out of the Shadows: Herschel, Talbot, and the Invention of Photography. New Haven: Yale University Press. 1992. Pp. xii, 188. $50.00

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

86 cited

Cited by

No citing works inside the corpus for this window.