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“Luther King was a Good Ole Boy”: The Southern rock movement and White Male identity in the post‐civil rights South
9 references·3 citing·31 second hop
“Luther King was a Good Ole Boy”: The Southern rock movement and White Male identity in the post‐civil rights South (1999)“Luther King was a Good Ole Boy”: The Sou…Haunted Bodies: Gender and Southern Texts (1998)Haunted Bodies: Gender and So…The most southern place on earth: the Mississippi Delta and the roots of regional identity (1993)The most southern place on ea…"Looking up at down": the emergence of blues culture (1990)"Looking up at down": the eme…"Gouge and Bite, Pull Hair and Scratch": The Social Significance of Fighting in the Southern Backcountry. (1985)"Gouge and Bite, Pull Hair an…One South: An Ethnic Approach to Regional Culture. (1983)One South: An Ethnic Approach…Southern Music: American Music (1980)Southern Music: American MusicBlack Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom (1978)Black Culture and Black Consc…The Enduring South: Subcultural Persistence in Mass Society. (1973)The Enduring South: Subcultur…The Strange Career of Jim Crow. (1955)The Strange Career of Jim Cro…Stand By Your Man, Redneck Woman: Towards a Historical View of Country Music Gender Roles (2022)Stand By Your Man, Redneck Wo…Men's Soaps (2008)Men's SoapsActing Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music (2008)Acting Naturally Unnaturally:…Learning to Labour: How Working Class Kids Get Working Class Jobs. (1981)Learning to Labor: How Working Class Kids Get Working Class Jobs. (1996)Modernity at Large: Cultural Dimensions of Globalization. (1998)Cutting, Driving, Digging, and Harvesting: Re-masculinizing the Working-Class Heroic (2012)Church Culture as a Strategy of Action in the Black Community (1998)Positionality of African Americans and a theoretical accommodation of it: Rethinking science education research (2008)The invisible weight of whiteness: the racial grammar of everyday life in contemporary America (2011)Attitudes on Residential Integration: Perceived Status Differences, Mere In-Group Preference, or Racial Prejudice? (1996)The Causes and Consequences of Distinctively Black Names (2004)Governance and Development* (2010)Social Capital and Poor Communities (2003)Decolonization is not a metaphor (2012)When the Levee Breaks: Black Migration and Economic Development in the American South (2014)The Rise and Fall of Ace Records: A Case Study in the Independent Record Business (1990)African American music to 1900 (1998)Rebel Manhood (2011)"Go there tuh know there": Zora Neale Hurston and the Chronotope of the Folk (2001)"You Nothing But Trash": White Trash Shame in Dorothy Allison's Bastard Out of Carolina (2001)Out of the House of Bondage (2003)Objects of Desire: Canon Formation and Blues Record Collecting (2006)Come Downtown & Play (2007)The Blues and the Damned: (Black) life-that-survives capital and biopolitics (2017)STRUCTURAL POSITION AND VIOLENCE: DEVELOPING A CULTURAL EXPLANATION* (1989)That "Insolent Liberty": Honor, Rites of Power, and Persuasion in Sixteenth-Century Ireland (1993)A Short History of Redneck : The Fashioning of a Southern White Masculine Identity (1995)Guns, Southernness, and gun control (1993)Remnants of the U.S. Civil War and modern consumer behavior (2003)Masculinity and Spousal Violence: Discursive Accounts of Husbands Who Abuse Their Wives in Ghana (2015)The Dynamics of Secession (1992)The Southern Subculture of Punitiveness? Regional Variation in Support for Capital Punishment (1997)“Generations and Collective Memory” Revisited: Race, Region, and Memory of Civil Rights (2004)
this work references cited by second hop

References

  • 1955The Strange Career of Jim Crow.741 cited
  • 1978Black Culture and Black Consciousness: Afro-American Folk Thought from Slavery to Freedom602 cited
  • 1983One South: An Ethnic Approach to Regional Culture.171 cited
  • 1993The most southern place on earth: the Mississippi Delta and the roots of regional identity162 cited
  • 1985"Gouge and Bite, Pull Hair and Scratch": The Social Significance of Fighting in the Southern Backcountry.151 cited
  • 1998Haunted Bodies: Gender and Southern Texts112 cited
  • 1973The Enduring South: Subcultural Persistence in Mass Society.99 cited
  • 1990"Looking up at down": the emergence of blues culture64 cited
  • 1980Southern Music: American Music36 cited

Cited by

  • 2008Men's Soaps31 cited
  • 2008Acting Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music16 cited
  • 2022Stand By Your Man, Redneck Woman: Towards a Historical View of Country Music Gender Roles4 cited

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