Visualizing music structure through animation: The making of the filmhead voice, chest voice1

Abstract

While many ethnographic filmmakers, as well as ethnomusicologists interested in audio‐visual means, are concerned about refining methods for the decoding and interpretation of visual texts, this article proposes a different perspective: that of visually reproducing in a film on musical features the results of research obtained with other visual means. An unexpected outcome was the discovery, thanks to the filmmaking process, of an important musical feature which has not been noticed and analyzed so far.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 7 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.