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The Editor and the Virtuoso, or Schenker versus Bülow
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The Editor and the Virtuoso, or Schenker versus Bülow (1991)The Editor and the Virtuoso, or Schenker …“That Bright New Light”: Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901–1910 (2005)“That Bright New Light”: Sche…At the Borders of Musical Identity: Schenker, Corelli and the Graces (1999)At the Borders of Musical Ide…On Schenkerism: A Closed Circle of Elite Listeners? (1993)On Schenkerism: A Closed Circ…A Handlist of Rhetorical Terms (1991)Music Analysis in the Nineteenth Century: Objective–subjective analysis: the hermeneutic circle (1994)“Forward to Haydn!”: Schenker's Politics and the German Revival of Haydn (2011)Becoming Heinrich Schenker: music theory and ideology (2015)Schenker Documents Online (2016)Der vollkommene Capellmeister (2025)The Purposes of Transcription (1966)Schenker and Improvisation (1993)Theory, Text-Setting, and Performance (1993)Performance and Hypermetric Transformation (2002)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Improvisation and Social Aesthetics (2017)Dissonant Prolongation: Theoretical and Compositional Precedents (1976)The Diatonic and the Chromatic in Schenker's "Theory of Harmonic Relations" (1986)The Problem of Prolongation in Post-Tonal Music (1987)
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  • 1999At the Borders of Musical Identity: Schenker, Corelli and the Graces17 cited
  • 2005“That Bright New Light”: Schenker, Universal Edition, and the Origins of the Erläuterung Series, 1901–191017 cited
  • 1993On Schenkerism: A Closed Circle of Elite Listeners?4 cited

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