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Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour
6 references·2 citing·22 second hop
Brokering Glory for the Chinese Nation: Peking Opera's 1930 American Tour (2001)Brokering Glory for the Chinese Nation: P…Mei Lanfang and the Nationalization of Peking Opera, 1912–1930 (1999)Mei Lanfang and the Nationali…Reflections of a Culture Broker: A View from the Smithsonian (1997)Reflections of a Culture Brok…Exhibiting Cultures: The Poetics and Politics of Museum Display. (1992)Exhibiting Cultures: The Poet…The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Fou…Peking opera and Mei Lanfang : a guide to China's traditional theatre and the art of its great master (1980)Peking opera and Mei Lanfang …MEI LAN - FANG: THE LIFE AND TIMES OF A PEKING ACTOR (1971)MEI LAN - FANG: THE LIFE AND …S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange (2016)S. I. Hsiung: New Discourse a…(Re)cycling Culture: Chinese Opera in the United States (2005)(Re)cycling Culture: Chinese …A history of Chinese drama (1976)The Invention of Tradition (1986)Rescuing History from the Nation (1995)"Naxi Ancient Music Rocks London": Validation, Presentation, and Observation in the First International Naxi Music Tour (2002)From Teahouse to Playhouse: Theaters As Social Texts in Early-Twentieth-Century China (2003)Three Eras of Indonesian Arts Diplomacy (2019)Strangers From A Different Shore: A History of Asian Americans. (1990)Race and the Subject of Masculinities (1997)Identity : community, culture, difference (2003)Lenin and Philosophy and Other Essays (1971)Hegemony and Socialist Strategy: Towards a Radical Democratic Politics (1985)The Location of Culture (2012)Lost Lineages and Neglected Peers: Ethnomusicologists outside Academia (2006)Folklore and the Internet: Vernacular Expression in a Digital World (2009)Borg Mesch (2014)Genre, Intertextuality, and Social Power (1992)Anthropology and Mass Media (1993)Authenticity and sincerity in tourism (2001)Gender, Crime, and Desistance: Toward a Theory of Cognitive Transformation (2002)Publics and counterpublics (2003)Translanguaging in the Bilingual Classroom: A Pedagogy for Learning and Teaching? (2010)Identifying Peking Opera Roles Through Vocal Timbre: An Acoustical and Conceptual Comparison Between Dan and Laosheng (2024)
this work references cited by second hop

References

  • 1981The Dialogic Imagination: Four Essays9,790 cited
  • 1992Exhibiting Cultures: The Poetics and Politics of Museum Display.1,285 cited
  • 1997Reflections of a Culture Broker: A View from the Smithsonian136 cited
  • 1999Mei Lanfang and the Nationalization of Peking Opera, 1912–193033 cited
  • 1971MEI LAN - FANG: THE LIFE AND TIMES OF A PEKING ACTOR8 cited
  • 1980Peking opera and Mei Lanfang : a guide to China's traditional theatre and the art of its great master6 cited

Cited by

  • 2005(Re)cycling Culture: Chinese Opera in the United States5 cited
  • 2016S. I. Hsiung: New Discourse and Drama in Early Modern Chinese Theatrical Exchange4 cited

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