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An uncovered XIII century icon: Particular use of organic pigments and gilding techniques highlighted by analytical methods

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References

2011Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments277 cited
1956The materials and techniques of medieval painting252 cited
2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2010Fluorescence Spectroscopy: A Powerful Technique for the Noninvasive Characterization of Artwork187 cited
2013Non-invasive identification of metal-oxalate complexes on polychrome artwork surfaces by reflection mid-infrared spectroscopy107 cited
2011Non-invasive and micro-destructive investigation of the Domus Aurea wall painting decorations49 cited
2010Markers for Identification of Faded Safflower (Carthamus tinctoriusL.) Colorants by HPLC-PDA-MS - Ancient Fibres, Pigments, Paints and Cosmetics Derived from Antique Recipes49 cited
2008In-situ fluorimetry: A powerful non-invasive diagnostic technique for natural dyes used in artefacts47 cited
2013Carthamus tinctorius L.: A photophysical study of the main coloured species for artwork diagnostic purposes35 cited

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2015Scientific investigation of the Imperial Gates belonging to the wooden church from Săcel, Turda County, Romania17 cited

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