Form and Method in Johannes Lippius's "Synopsis musicae novae"

Abstract

knowable a posteriori by study of a given repertory and recognizable through natural processes of intellection; the latter, however, are nominalists to the extent that they employ these schemata heuristically in the analysis of individual works.2 A similar polarity of philosophic attitudes can be seen by comparing the extreme formalist approach to analysis, which maintains that musical form is established and made intelligible through its quantitative, symbolically representable aspects of structure, to the expressionalist, which maintains that

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