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Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels
13 references·1 citing·33 second hop
Méthodes algébriques dans la musique et la musicologie du XXème siècle : aspects théoriques, analytiques et compositionnels (2003)Méthodes algébriques dans la musique et l…Some Mathematical Aspects of David Lewin's Book: Generalized Musical Intervals and Transformations (1988)Some Mathematical Aspects of …Musical Scales and the Generalized Circle of Fifths (1986)Musical Scales and the Genera…Transformational Techniques in Atonal and Other Music Theories (1982)Transformational Techniques i…Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function" (1977)Forte's "Interval Vector, My …A Label-Free Development for 12-Pitch-Class Systems (1977)A Label-Free Development for …A General Theory of Combinatoriality and the Aggregate (Part 1) (1977)A General Theory of Combinato…Meta-Variations: Studies in the Foundations of Musical Thought (I) (1969)Meta-Variations: Studies in t…Methodes d'analyse en musicologie (1966)Methodes d'analyse en musicol…A Theory of Set-Complexes for Music (1964)A Theory of Set-Complexes for…Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern (1962)Serial Composition and Atonal…Re: The Intervallic Content of a Collection of Notes, Intervallic Relations between a Collection of Notes and Its Complement: An Application to Schoenberg's Hexachordal Pieces (1960)Re: The Intervallic Content o…Re: Intervallic Relations between Two Collections of Notes (1959)Re: Intervallic Relations bet…Information as a Measure of Structure in Music (1958)Information as a Measure of S…Asymmetric Rhythms, Tiling Canons, and Burnside's Lemma (2004)Asymmetric Rhythms, Tiling Ca…Charles W. Morris. Foundations of the theory of signs. International encyclopedia of unified science, vol. 1, no. 2. The University of Chicago Press, Chicago1938, vii + 59 pp. (1938)Aspects of Scientific Explanation. (1966)Music Theory and Musicology (1993)Empiricism and the philosophy of mind (1997)Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)The Discourse of Musicology (2016)The Source Set and Its Aggregate Formations (1961)Serial Composition and Atonality (1962)Some Combinational Resources of Equal-Tempered Systems (1967)On Allen Forte's Theory of Chords (1974)The Structure of All-Interval Series (1974)Tonal implications of the diatonic set (1981)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Modes, the Height-Width Duality, and Handschin’s Tone Character (2011)On Rehearing Music (1961)Pitch and Pitch Structures (2004)Towards Greater Objectivity in Music Theory: Information-Dynamic Analysis of Minimalist Music (2007)Three Essays on Milton Babbitt (1990)Art music from 1800 to 1860 (1998)Zipf's law and the creation of musical context (2006)Continuous Harmonic Spaces (2007)David Lewin and maximally even sets (2007)Inversional Symmetry and Transpositional Combination in Bartok (1988)Vector Products and Intervallic Weighting (1994)Fretboard Transformations (2018)Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric (2015)Special Collections (2016)Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Extraordinary Measures (2011)The Oxford Handbook of Neo-Riemannian Music Theories (2011)The Use of Songs in Teaching Foreign Languages (1975)The Concept of Musical Grammar (1983)Metaphor and music (2008)
this work references cited by second hop

References

  • 1982Transformational Techniques in Atonal and Other Music Theories105 cited
  • 1959Re: Intervallic Relations between Two Collections of Notes88 cited
  • 1986Musical Scales and the Generalized Circle of Fifths80 cited
  • 1962Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern80 cited
  • 1966Methodes d'analyse en musicologie72 cited
  • 1964A Theory of Set-Complexes for Music61 cited
  • 1958Information as a Measure of Structure in Music44 cited
  • 1960Re: The Intervallic Content of a Collection of Notes, Intervallic Relations between a Collection of Notes and Its Complement: An Application to Schoenberg's Hexachordal Pieces41 cited
  • 1977Forte's "Interval Vector, My Interval Function", and Regener's "Common-Note Function"39 cited
  • 1969Meta-Variations: Studies in the Foundations of Musical Thought (I)28 cited
  • 1977A Label-Free Development for 12-Pitch-Class Systems25 cited
  • 1977A General Theory of Combinatoriality and the Aggregate (Part 1)19 cited
  • 1988Some Mathematical Aspects of David Lewin's Book: Generalized Musical Intervals and Transformations16 cited

Cited by

  • 2004Asymmetric Rhythms, Tiling Canons, and Burnside's Lemma6 cited

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