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Landini's Musical Patrimony: A Reassessment of Some Compositional Conventions in Trecento Polyphony
8 references·1 citing·26 second hop
Landini's Musical Patrimony: A Reassessment of Some Compositional Conventions in Trecento Polyphony (1987)Landini's Musical Patrimony: A Reassessme…Machaut's 'Rose, Lis' and the Problem of Early Music Analysis (1984)Machaut's 'Rose, Lis' and the…Report of the twelfth congress, Berkeley 1977 (1981)Report of the twelfth congres…Musical tastes in fourteenth-century Italy : notational styles, scholarly traditions, and historical circumstances (1981)Musical tastes in fourteenth-…L'Ars nova italiana del Trecento (1978)L'Ars nova italiana del Trece…Harvard Dictionary of Music (1970)Harvard Dictionary of MusicChaucer and the French Tradition (1958)Chaucer and the French Tradit…Polyphonic music of the fourteenth century (1956)Polyphonic music of the fourt…Harvard Dictionary of Music (1946)Harvard Dictionary of MusicMadrigal, Lauda, and Local Style in Trecento Florence (1997)Madrigal, Lauda, and Local St…Painting and Experience in Fifteenth Century Italy (1969)Painting and Experience in Fifteenth Century Italy. (1996)The New Grove dictionary of music and musicians (2001)A Four-Part "In seculum" Hocket and a Mensural Sequence in an Unknown Fragment (1984)Singing Through the Looking Glass: Child's Play and Learning in Medieval Italy (2008)The Cambridge History of Musical Performance (2012)Thematic fame, melodic originality, and musical zeitgeist: A biographical and transhistorical content analysis. (1980)On Compositional Process in the Fifteenth Century (1987)Music, Mood, and Marketing (1990)Elementary School Children' s Concept of Tonality (1980)The role of auditory feedback during phonation: studies of Mandarin tone production (2002)Once Again, This Time with Feeling (2004)Stravinsky's "Mass" and Stravinsky Analysis (1989)Signature-systems and tonal types in the fourteenth-century French chanson (1995)"Messy Structure"? Multiple Tonal Centers in the Music of Machaut (2008)Gender and Romance in Chaucer's "Canterbury Tales" (1994)Gender and Romance in Chaucer's 'Canterbury Tales' (1997)London texts and literate practice (1999)Marchetto's Division of the Whole Tone (1981)Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs (1999)Different Strokes for Different Folks? On Tempo and Diminution in Fifteenth-Century Music (2000)The relationship of perfect and imperfect time in Italian theory of the Renaissance (1985)The Origin and Early History of Proportion Signs (1988)The Stemma of the Aquitanian Versaria (1988)Foreign Opera at the London Playhouses: From Mozart to Bellini (2015)The Jazz Solo as Virtuous Act (2016)
this work references cited by second hop

References

  • 1946Harvard Dictionary of Music334 cited
  • 1958Chaucer and the French Tradition238 cited
  • 1978L'Ars nova italiana del Trecento62 cited
  • 1956Polyphonic music of the fourteenth century51 cited
  • 1970Harvard Dictionary of Music35 cited
  • 1984Machaut's 'Rose, Lis' and the Problem of Early Music Analysis26 cited
  • 1981Report of the twelfth congress, Berkeley 197717 cited
  • 1981Musical tastes in fourteenth-century Italy : notational styles, scholarly traditions, and historical circumstances9 cited

Cited by

  • 1997Madrigal, Lauda, and Local Style in Trecento Florence5 cited

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