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Belly Dance: Orientalism—Exoticism—Self-Exoticism
16 references·13 citing·28 second hop
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this work references cited by second hop

References

  • 1993Women and Gender in Islam: Historical Roots of a Modern Debate.1,054 cited
  • 1977Beyond the Veil: Male-Female Dynamics in a Modern Muslim Society.800 cited
  • 1996Orientalism: history, theory and the arts595 cited
  • 1995Tango and the political economy of passion451 cited
  • 1993Women and Gender in Islam: Historical Roots of a Modern Debate421 cited
  • 2018Tango and the Political Economy of Passion292 cited
  • 1997Mass culture and modernism in Egypt270 cited
  • 1996Belated Travelers: Orientalism in the Age of Colonial Dissolution148 cited
  • 1998Mass Culture and Modernism in Egypt.130 cited
  • 2000Mass MediationsNew Approaches to Popular Culture in the Middle East and Beyond127 cited
  • 1972Method and Theory in Analyzing Dance Structure with an Analysis of Tongan Dance105 cited
  • 1995Music in the world of Islam: a socio-cultural study104 cited
  • 1993Music and Musicians in Ancient Egypt93 cited
  • 1991Dancing out the Difference: Cultural Imperialism and Ruth St. Denis's "Radha" of 190688 cited
  • 1998The International Encyclopedia of Dance80 cited
  • 2001The Garland Encyclopedia of World Music

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71 cited

Cited by

  • 2006The Male Dancer in the Middle East and Central Asia59 cited
  • 2011Exotic Identities: Dance, Difference, and Self-fashioning41 cited
  • 2016Fantasies of Exposure: Belly Dancing, the Veil, and the Drag of History31 cited
  • 2010Belly Dancing and the (En)Gendering of Ethnic Sexuality in the “Mixed” Brazilian Nation31 cited
  • 2014Sequins, Sass, and Sisterhood: An Exploration of Older Women's Belly Dancing26 cited
  • 2017Festival as Embodied Encounters: OnKulturhavnin Copenhagen21 cited
  • 2005Representing the belly-dancing body: feminism, orientalism, and the grotesque21 cited
  • 2014Oriental by Design: Ottoman Jews, Imperial Style, and the Performance of Heritage15 cited
  • 2018Intangible Cultural Heritage Beyond Borders: Egyptian Bellydance (Raqs Sharqi) as a Form of Transcultural Heritage14 cited
  • 2019Ethnic fusion in migration: The new Russian–Mizrahi pop-culture hybrids in Israel13 cited
  • 2020Identity Passing in Intercultural Performance of K-pop Cover Dance10 cited
  • 2013Pushing Boundaries: Reflections on Teaching and Learning Contemporary Dance in Amman9 cited
  • 2011Pedagogical conceptions of Finnish teachers of transnational dances. Cases: African dance, Oriental dance and Flamenco7 cited