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Inside Early Music: Conversations with Performers
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Cited by

  • 2000Performing the (Sound)World183 cited
  • 2007The End of Early Music152 cited
  • 2003Playing with history: the historical approach to musical performance119 cited
  • 2001Toward an Ethnomusicology of the Early Music Movement: Thoughts on Bridging Disciplines and Musical Worlds68 cited
  • 2012The Cambridge Companion to Opera Studies67 cited
  • 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet58 cited
  • 2020Being True to Works of Music44 cited
  • 2014A spiral model of musical decision-making23 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2012Genre and poetics8 cited
  • 2011Variety in Performance: A comparative Analysis of Recorded Performances of Bach's Sixth Suite for Solo Cello from 1961 to 19987 cited

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2012
Voices and singers
6 cited