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"What profits me my name?" The Aesthetic Potential of the Commodified Name in Lancelot and Elaine
4 references·0 citing·12 second hop
"What profits me my name?" The Aesthetic Potential of the Commodified Name in Lancelot and Elaine (2006)"What profits me my name?" The Aesthetic …Playing and Reality (2012)Playing and RealityThe Radical Aesthetic (2000)The Radical AestheticThe Economy of Literary Form: English Literature and the Industrialization of Publishing, 1800-1850 (1997)The Economy of Literary Form:…Tennyson: The Critical Heritage (1969)Tennyson: The Critical Herita…Effects of a secure attachment relationship on right brain development, affect regulation, and infant mental health (2001)Establishing and maintaining long-term human-computer relationships (2005)Parent–infant synchrony and the construction of shared timing; physiological precursors, developmental outcomes, and risk conditions (2007)Assimilation in The Promised Land: Mary Antin and the Jewish Origins of the American Self (1998)Form Things: Looking at Genre through Victorian Diamonds (2010)The Cambridge History of English Poetry (2010)History of Modern Aesthetics (2005)Co-creation and user-generated content–elderly people’s user requirements (2008)Science and Sensation in Romantic Poetry (2008)“With a most voiceless thought”: Byron and the radicalism of textual culture (2000)Scientific publishing and the reading of science in nineteenth-century Britain: a historiographical survey and guide to sources (2000)John Limbird, Thomas Byerley, and the Production of Cheap Periodicals in the 1820s (2005)
this work references cited by second hop

References

  • 2012Playing and Reality6,619 cited
  • 2000The Radical Aesthetic179 cited
  • 1997The Economy of Literary Form: English Literature and the Industrialization of Publishing, 1800-1850169 cited
  • 1969Tennyson: The Critical Heritage138 cited

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