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Edgar Allan Poe and the Masses: The Political Economy of Literature in Antebellum America
0 references·16 citing·34 second hop
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  • 2003The Aesthetics and Politics of the Crowd in American Literature75 cited
  • 2008The Cambridge Introduction to Edgar Allan Poe37 cited
  • 2003The Magnifying Glass: Spectacular Distance in Poe's “Man of the Crowd” and Beyond32 cited
  • 2015Time, Tense, and American Literature: When Is Now?31 cited
  • 2003New Books, New Men: City-Mysteries Fiction, Authorship, and the Literary Market27 cited
  • 2011Sovereign Authority and the Democratic Subject in Poe24 cited
  • 2011Evidence, Coincidence, and Superabundant Information24 cited
  • 2014Failure and the American Writer: A Literary History23 cited
  • 2008Race, American literature and transnational modernisms22 cited
  • 2008Ghostreaders and Diaspora-Writers: Four Theses on the FBI and African American Modernism19 cited
  • 2005"A Mania for Composition": Poe's Annus Mirabilis and the Violence of Nation-building19 cited
  • 2005Welcome to Sodom: the cultural work of city-mysteries fiction in antebellum America18 cited
  • 2009The Rise and Fall of Public Opinion: Poe to James17 cited
  • 2008Queer Poe: The Tell‐Tale Heart of His Fiction16 cited
  • 2003

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Poe in Love: Pedophilia, Morbidity, and the Logic of Slavery
7 cited
  • 2002A “Wild” and “Homely Narrative”: Resisting Argument in “The Black Cat”6 cited