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A Passion for Polka: Old-Time Ethnic Music in America
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A Passion for Polka: Old-Time Ethnic Music in America (1994)A Passion for Polka: Old-Time Ethnic Musi…Slovenian Recordings Made in America Prior to World War II (2014)Slovenian Recordings Made in …Wheels of the World: How Recordings of Irish Traditional Music Bridged the Gap between Homeland and Diaspora (2010)Wheels of the World: How Reco…A Century of Women's Bands in America (2008)A Century of Women's Bands in…Mapping Polka and Its Ethnic Heritage in the United States (2007)Mapping Polka and Its Ethnic …"Locating" the Nation: Football Game Day and American Dreams in Central Ohio (2006)"Locating" the Nation: Footba…Rockin' and Rappin' in American Music: Themes and Resources (2001)Rockin' and Rappin' in Americ…The “origin of samba” as the invention of Brazil (why do songs have music?)* (1999)The “origin of samba” as the …Immigrant, folk, and regional musics in the nineteenth century (1998)Immigrant, folk, and regional…Polka Bands and Choral Groups: The Musical Self-Representation of Polish-Americans in Detroit (1996)Polka Bands and Choral Groups…The Ethnic Press in the United States: A Historical Analysis and Handbook (1988)Ethnic Music on Records: A Discography of Ethnic Recordings Produced in the United States, 1893 to 1942 (1991)A Passion for Polka (1992)“It’s So Pleasant in the Countryside”: The Perception of Folk Songs and the Folk on Gramophone Recordings before the Second World War (2014)Augusta Danilova, the Interpreter of Folk and Literary Songs on Gramophone Records. Between the Identification, Hybridization and Popularization of the Tradition (2014)Slovenian Recordings on 78 RPM Records (2014)Ethnicity, Identity and Music: The Musical Construction of Place by Martin Stokes (ed) (1995)PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE (2012)World Music: A Very Short Introduction (2020)Music: A Very Short Introduction (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Speech Genres and Other Late Essays (1986)Flow: the psychology of optimal experience (1990)Culture and Practical Reason. (1977)Culture and Practical Reason (1978)Nations and nationalism since 1780 programme, myth, reality (1995)Brazil in France, 1922: An Anthropological Study of the Congenital International Nexus of Popular Music (2008)‘I can’t believe the news today’: Music and the politics of change (2009)Ethnicity, Identity and Music: The Musical Construction of Place (1995)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)World music : the rough guide (1999)History of public school music in the United States (1928)The Schools Band Contest of America (1923) (1962)Swing Shift (2001)A Multivariate Analysis of Nonperformance Variables as Predictors of Marching Band Contest Results (Dissertation) (2009)Parallel Frames and Policy Narratives in Music Education and Physical Education (2011)Issues Facing Female Band Directors at the High School and College Levels: A Review of Literature (2022)Ethnic Recordings in America: A Neglected Heritage (1983)The record industry: the growth of a mass medium (1983)The Rise of the Unmeltable Ethnics (1974)People's music comparatively: Style and stereotype, class and hegemony (1985)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Modernity at Large: Cultural Dimensions of Globalization. (1998)Embodying Musical Heritage in a New–Old Profession: American Jewish Cantorial Schools, 1904–1939 (2017)
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Cited by

  • 2006"Locating" the Nation: Football Game Day and American Dreams in Central Ohio18 cited
  • 1999The “origin of samba” as the invention of Brazil (why do songs have music?)*15 cited
  • 2014Slovenian Recordings Made in America Prior to World War II9 cited
  • 2008A Century of Women's Bands in America8 cited
  • 2001Rockin' and Rappin' in American Music: Themes and Resources8 cited
  • 2007Mapping Polka and Its Ethnic Heritage in the United States7 cited
  • 1998Immigrant, folk, and regional musics in the nineteenth century6 cited
  • 1996Polka Bands and Choral Groups: The Musical Self-Representation of Polish-Americans in Detroit6 cited
  • 2010Wheels of the World: How Recordings of Irish Traditional Music Bridged the Gap between Homeland and Diaspora5 cited

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