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Musical Works: Ontology and Meta‐Ontology
16 references·4 citing·27 second hop
Musical Works: Ontology and Meta‐Ontology (2008)Musical Works: Ontology and Meta‐OntologyArt and its Objects (2015)Art and its ObjectsWorks of Music (2007)Works of MusicOrdinary Objects (2007)Ordinary ObjectsArt as Performance (2004)Art as PerformanceArtworks as Historical Individuals (2003)Artworks as Historical Indivi…Musical Works and Performances (2001)Musical Works and PerformancesMusical works as eternal types (2000)Musical works as eternal typesThe imaginary museum of musical works: an essay in the philosophy of music (1993)The imaginary museum of music…Music, Art, and Metaphysics. (1993)Music, Art, and Metaphysics.Words (1990)WordsAn Ontology of Art (1989)An Ontology of ArtSurvival and Identity (1983)Survival and IdentitySameness and Substance (1981)Sameness and SubstanceWhat a Musical Work Is (1980)What a Musical Work IsEvents as Property Exemplifications (1976)Events as Property Exemplific…Events and Propositions (1970)Events and PropositionsMusical Ontology: Works, Versions, and Lineages (2024)Musical Ontology: Works, Vers…Musical Ontology and the Audibility of Musical Works (2023)Musical Ontology and the Audi…Multiplicity, Audibility, and Musical Continuity (2020)Multiplicity, Audibility, and…Ontology and the Regulation of Intellectual Property (2010)Ontology and the Regulation o…Speech Acts (1969)Language, Thought, and Other Biological Categories (1984)Women, Fire, and Dangerous Things (1987)The ontology of social groups (2016)Metaphysical Causation (2017)The externalist challenge to conceptual engineering (2018)Autonomous Psychology and the Belief-Desire Thesis (1978)The Metaphysics of Properties (1996)Why the Exclusion Problem Seems Intractable, and How, Just Maybe, to Tract It (2003)The Ontology of Art (2004)Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments (2009)Intention, history, and artifact concepts (1996)The role of language in acquiring object kind concepts in infancy (2002)The logical structure of the world (2007)Music Performance Research at the Millennium (2003)Art and Intention (2005)Authenticity (2018)All the world's a stage (1996)Reflective Authenticity: Rethinking the Project of Modernity (1998)The Metaphysics of Hyperspace (2005)Emotion and Peace of Mind (2002)Metaphysical Disputes and Metalinguistic Negotiation (2016)Meaning, Expression and Thought (2002)The moral fixed points: new directions for moral nonnaturalism (2014)The End of Early Music (2007)I Did It My Way: Rock and the Logic of Covers (2010)The Oxford Handbook of The American Musical (2011)
this work references cited by second hop

References

  • 1981Sameness and Substance927 cited
  • 1976Events as Property Exemplifications639 cited
  • 1993The imaginary museum of musical works: an essay in the philosophy of music598 cited
  • 2007Ordinary Objects490 cited
  • 2015Art and its Objects434 cited
  • 1983Survival and Identity357 cited
  • 2001Musical Works and Performances332 cited
  • 1990Words315 cited
  • 2004Art as Performance309 cited
  • 1993Music, Art, and Metaphysics.270 cited
  • 1980What a Musical Work Is258 cited
  • 1989An Ontology of Art177 cited
  • 2007Works of Music173 cited
  • 2003Artworks as Historical Individuals163 cited
  • 1970Events and Propositions155 cited
  • 2000Musical works as eternal types153 cited

Cited by

  • 2023Musical Ontology and the Audibility of Musical Works26 cited
  • 2010Ontology and the Regulation of Intellectual Property

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19 cited
  • 2020Multiplicity, Audibility, and Musical Continuity5 cited
  • 2024Musical Ontology: Works, Versions, and Lineages3 cited